For some time now, I’ve been planning to make my older books available on ebook platforms not named after South American rainforests. After a couple of years of putting it off—I’m a notorious procrastinator—a friend and professional acquaintance in New Zealand asked why he couldn’t get my books from Kobo, his preferred platform. That set me in motion.
(It was not my first time hearing this suggestion. A reader from Canada asked me the same question a few years back.)
The remaining novels are enrolled in an Amazon program called Kindle Select, which offers writers a number of nice features. For me, the most desirable benefit is that it places my books into Kindle Unlimited, which is a kind of Netflix-style book buffet, where subscribers can read as many books as they want for a monthly fee. KU was a great way for readers to be introduced to my work, and for awhile there I saw a lot of my books being read through that program.
Unfortunately, Kindle Unlimited readers have dwindled off for my back catalog (it tends to favor newer releases). So, as my older books fall out of Kindle Select, I’ll add them to Kobo. I’ll start moving my back catalog to Barnes & Noble and Apple Books as well. (This is called “going wide” in independent publishing circles.)
Aside from Kindle Unlimited, why did I wait so long to go wide? I’ll answer that question next time.
A Man Named Baskerville retells the infamous Arthur Conan Doyle mystery in a way never told before. It’s a sizzling new take on a classic hailed as a masterpiece of the English language, named one of the most influential books ever by the BBC and Le Monde, and beloved by Sherlock Holmes fans worldwide for over a century.
“Nelson’s style is convincing and engaging, and places his novel firmly shoulder-to-shoulder with the Sherlock Holmes canon.” – My Murmuring Bones
And that’s a wrap—MX Publishing’s Kickstarter for A Man Named Baskerville closed earlier today with 81 backers pledging £1,842 (USD$2,241) toward the upcoming Special Edition hardback.
Learn more about A Man Named Baskerville on my web site. I should have more information soon on the hardback edition, as well as an upcoming audiobook.
There’s still time to join in, and plenty of donor rewards remain available. If you donate before the deadline, you can claim:
A Man Named Baskerville PDFs
Signed paperback copies
Signed copies of the forthcoming hardcover first edition
and exclusive Hound Megapacks, which include A Man Named Baskerville and several other of MX Publishing’s Baskerville-adjacent offerings, including The Widow of Dartmoor, a graphic novel of The Hound of the Baskervilles, and Hounded: My Lifetime Obsession with Sherlock Holmes and the Hound
You may donate at any level.Even if you don’t wish to donate, please consider sharing this Kickstarter with your friends and followers on social media.
As mentioned in my last post, MX Publishing is holding a Kickstarter fundraiser to spread the word of the publication of a special hardcover edition of A Man Named Baskerville as well as a forthcoming audiobook.
Well, the Kickstarter has started, and I’m asking for your help. There are some great donor rewards for your generous contribution:
A Man Named Baskerville PDFs
Signed paperback copies
Signed copies of the hardcover first edition
Exclusive Hound Megapacks, which include A Man Named Baskerville and several other of MX Publishing’s Baskerville-adjacent offerings, including The Widow of Dartmoor, a graphic novel of The Hound of the Baskervilles, and Hounded: My Lifetime Obsession with Sherlock Holmes and the Hound
You may donate at any level.Even if you don’t wish to donate, please consider sharing this Kickstarter with your friends and followers on social media.
(Please note this money does not go into my pocket—it’s used to defray the cost of production, distribution, and marketing.)
I’m pleased to announce that I’ve signed with MX Publishing in London to release two new editions of A Man Named Baskerville, my reinterpretation of the classic Sherlock Holmes mystery.
Some time in early 2025, you should expect to see a new hardcover and audiobook of Baskerville. I’m especially excited about the audiobook, as this will be the first one produced for my novels.
In order to offset publication costs, MX Publishing will be running a Kickstarter. The donor gift tiers are still being decided, but you should expect to see signed copies of paperback and hardcover editions of Baskerville as thank-you gifts, plus perhaps a couple more surprises.
You can sign up to be notified when the Kickstarter launches—just follow this link and add yourself to the “Saved” list.
And watch this space too, as I’ll be announcing more details as they finalize. You can click on the blue “Subscribe” button to receive notifications.
Thank you for following me this year! I hope to have lots more exciting news and new developments in 2025.
The year that was 2020 will most likely go down as one of the most significant years of my life: The COVID-19 pandemic, lock-downs and masking, the murder of George Floyd and the ensuing riots, all leading up to the most contentious presidential election in memory that some still deny was properly tabulated.
In contrast, 2019 had been for me a rather productive year creatively, and I wound up publishing two novels in 2020 back-to-back: Stranger Son in April, followed by In My Memory Locked in June.
That aside, as 2020 trudged onward and the pandemic fevered on, it grew apparent normalcy would not make an appearance any time soon. I began to suffer a low-grade depression, a toothy rat gnawing at the ankles of my mental health. I needed to do something creative to keep a hold on my fragile state.
I made a personal goal of putting out a compact book—my previous two were unusually lengthy for me, with In My Memory Locked clocking in at 120,000 words. I had been binging on streamed movies (and who didn’t that year?) Viewing the masterful The Day of the Jackal motivated me to pick up Frederick Forsythe’s original novel, which I learned was inspired by his tenure as a journalist in Paris reporting on the assassination attempts made on Charles De Gaulle’s life.
I committed myself to write a taut thriller about the pandemic and lock-downs, short and sweet, with as little fat as possible, and saturated with paranoia and claustrophobia. The result was Man in the Middle, published in November 2020 and my most overlooked book. I’m proud of it, though, especially considering the conditions I was working under. I also believe it to be the first novel published expressly about the COVID-19 pandemic—but I cannot prove that.
As for blogging in 2020, I put out a number of short series which garnered some interest. At the start of the year, I did a mini-series on Dungeons & Dragons, including my take on Gary Gygax’s Appendix N, which was his book recommendations he included in the first AD&D Dungeon Master’s Guide. Another series took at look at Hollywood novels, which gave me a chance to write on a few books I’ve been meaning to cover for some time, including The Day of the Locust and They Shoot Horses, Don’t They?
Gustave Flaubert
But the post I’m most proud of from 2020 regarded a bit of writing advice I’ve heard on and off for years now in writing groups and at writing conferences: “Use three senses to make a scene come alive.” Invariably, this advice is attributed to Gustave Flaubert.
As far as writing lore goes, this one is rather economical in expression. It’s also not altogether obvious why it’s true. Why three sense, and not four or five, or even two? The resulting blog post was satisfying to write because investigating the origins of this saying led naturally to explaining why it appears to be true.
There appears to be no evidence Flaubert ever made this statement, at least, not in such a direct manner. Rather, the textual evidence is that it originated from Flannery O’Connor, who in turn was summarizing a observation made by her mentor, Caroline Gordon.
Now, I’ve read many of Flannery O’Connor’s short stories—anyone who’s taken a few creative writing classes will eventually read “A Good Man is Hard to Find,” her most anthologized work. I had never read anything by Caroline Gordon, however, so it was fascinating to delve briefly into her work.
It’s a shame Gordon is not more well-read today. It’s probably due to her work not taking the tangents and experiments that other American modernists risked (such as Faulkner and Jean Toomer). She remained a formalist to the end. Her How to Read a Novel is an enlightening book, and while a tad dated, would make fine reading for anyone serious about writing a full-bodied, red-blooded novel.
Mostly, my pride for “Use three senses to make a scene come alive” is that it’s a solid essay: It starts out with an interesting question that leads to more questions, takes a couple of detours and unexpected side-roads on its journey, and ends on a note of successful discovery. It’s about all I can aspire to when I sit down to write.
