Those who forget the past are doomed to blog about it

Cover of Time magazine: "Defending Defense: Budget Battles and Star Wars"

When I started this blog years ago, I made a private agreement with myself: I would avoid writing topical political content. Substack, social media, and the blogosphere is saturated with political commentary, providing lots of heat but little light. I don’t like trafficking in outrage, which is the fast-track to success in political blogging.

However, I did write a novel about missile defense set during the Reagan Era in a town hosting a nuclear weapons research laboratory. That’s pretty political, even if the politics are fairly retro.

Due to recent events in the Middle East, the topic of missile defense has come up again, primarily thanks to Noah Smith’s Noahpinions (via). Smith’s piece on recent successes in missile defense tickled a nerve in me, mostly because this is a topic I’ve followed off-and-on for forty years.

To clarify, while my book is tinged with autobiography (I did indeed grow up in Livermore during the Reagan Era while the Strategic Defense Initiative (SDI) was being developed), it’s also fiction (neither of my parents worked for Lawrence Livermore National Laboratory (LLNL), although almost all my friends’ fathers were scientists there).

This is why I reacted strongly to Noah Smith writing this:

…for most of my adult life, I believed that ballistic missile defense was a hopeless, failed cause. From the 2000s all the way through the 2010s, I read lots of op-eds about how kinetic interceptors — “hitting a bullet with a bullet” were just an unworkably difficult technology, and how the U.S. shouldn’t waste our time and money on developing this sort of system.

He quickly adds,

Even the most ardent supporters of missile defense don’t think it could stop a nuclear strike by Russia or China. … critics of missile defense were right that missile defense will probably not provide us with an invincible anti-nuclear umbrella anytime soon. But they were wrong about much else.

Fair enough—Smith is differentiating between defense technology for stopping short- and medium-range ballistic missiles armed with conventional explosives (such as the type used to protect Israel from Iran’s attack in April) versus technology for stopping long-range nuclear ICBMs, which was the problem SDI was supposed to solve. Over the last forty years critics of missile defense have muddied these categories, taking the problems of developing an ICBM defense system, which must deal with missiles launched into the upper atmosphere, and translating them to conventional missiles, which fly at altitudes similar to prop planes.

With this proviso out of the way, Smith goes on to argue that “the way in which critics got this issue wrong illustrates why it’s difficult to get good information about military technology — and therefore why it’s hard for the public to make smart, well-informed choices about defense spending.” He proceeds into the history of short- and medium-range missile defense and its uninformed and myopic critics. It’s a thoughtful piece, well-reasoned and well-researched.

What’s my beef, then? It’s his assertion that the critics getting their prognostications wrong make it “hard for the public to make smart, well-informed choices about defense spending.” I disagree.

What I saw during the SDI years, and continue to see in 2024, is a dearth of public involvement in defense spending or development. How can the American public make well-informed choices, given the lack of transparency in budgeting or the research process?

This is not a bleeding-heart appeal (such as the 1980s bumper stickers Smith references: “It will be a great day when our schools get all the money they need and the Air Force has to hold a bake sale to buy a bomber”). Simply put, the public is not informed on the decision-making process, has not been invited into the process, and is not wanted to be involved in the process.

The evidence for this is in the history of missile defense itself. Even with four decades of critics piling on against it (which Smith thoroughly tallies), the short- and medium-ranged missile defense technology they mocked was approved, funded, developed, honed, and deployed. As far as I can tell, no one was voted out of office for supporting missile defense. No referendum on their development or funding was held.

Smith theorizes that with missile defense,

the information about how good America’s weapons systems are gets kept behind closed doors, unveiled in secret Congressional briefings and whispered between defense contractors. Meanwhile, everyone who wants to criticize U.S. weapons systems is on the outside, squawking loudly to the press.

My skepticism originates from Smith’s belief that the problem is an “asymmetry” between the military, which is secretive “in order to avoid alerting America’s rivals to our true strength,” and mouthy critics of short- and mid-range missile defense, which have a poor track record for predicting its failure.

Now, Smith’s point is a defensible perspective. It’s equally defensible that the reason the military is so hush-hush about their research projects is to keep the American public in the dark. When defense budgeting is discussed publicly, it’s about funding for more bread-and-butter expenses, such as better meal rations and outfitting soldiers with body armor. Who’s going to argue with supporting our troops?

Strategic Defense Initiative logo
“A shield, not a sword.”

In the 1980s, the public was well aware of the SDI project. It was highly publicized. Reagan announced it on national evening television. What the public did not know was how the LLNL planned to stop those nuclear missiles from reaching American soil. One of the earliest approaches they explored was a theoretical X-ray laser fired from orbiting satellites at the incoming missiles.

(Defenders of ICBM missile defense point out that the X-ray laser was merely one of many approaches considered. That’s true, but it’s also true that it, and so many of the other technologies considered, were discarded as impractical, unworkable, or simply dangerous. The history of SDI and its offshoot Brilliant Pebbles goes into the many misses and problems.)

To return to the X-ray laser: How was it to be powered? The proposal was that each satellite would hold a thermonuclear device. To fire the laser, the internal device would detonate. The contained thermonuclear explosion would shed X-ray radiation, which was redirected toward the intended target.

It’s easy to satirize this proposal (which I certainly did) as though a plot point in a hypothetical Dr. Strangelove sequel. My point here isn’t to knock research that sounds ludicrous, or which didn’t pan out during development. The history of technology, science, and engineering is littered with wild ideas and failed approaches.

My point is: SDI was highly publicized, but the energy source of the X-ray laser wasn’t revealed until years later by a whistleblower. The public could not make an informed decision, because the most vital information about the project was being withheld. Was it withheld because the U.S. military didn’t want to tip its hand to its enemies? Or because the details would be tremendously embarrassing—H-bombs in space to defend America from H-bombs in the sky? I lean toward the latter explanation.

How many voters today are aware that anti-ICBM research is still ongoing in 2024? The SDI project was renamed multiple times over the decades, as a cynical way to sneak it through the budgeting process. It was never defunded, although, again, as Smith and others recognize, “even the most ardent supporters of missile defense don’t think it could stop a nuclear strike by Russia or China.”

Rather, I think the military learned a lesson from Reagan and SDI: Don’t tell the public about your darlings. From a perspective of secure funding, there’s more harm than good from having your pet research project on the cover of Time.

To be fair, Smith doesn’t advocate for giving the U.S. military carte blanche on spending and research: “There’s no easy solution here, other than simply being aware of these difficulties and trying very hard to counteract them. We pundits should talk to and listen to a variety of experts, not just the loudest and most confident.” I agree, although I think his advice should extend well beyond the sphere of the punditry.

Teller's War by William Broad

And Smith’s also right about the poor track records of critics of conventional missile defense. In the case of SDI, though, the polarity is reversed. Journalist William Broad’s first book on ICBM missile defense, Star Warriors, was a hagiography of SDI and the scientists at LLNL. From the tone and tenor of the 1985 book, a reader might think ICBM defense was simply a matter of getting the brightest and best minds together in a room with a whiteboard and a pot of hot coffee.

Broad’s later account, 1992’s Teller’s War, tells a very different story, revealing not only the research failures, but more critically the deceptions, exaggerations, and maneuverings used to sell the project to Reagan, Congress, and the American public. Broad barely references his earlier Star Warriors in the later book. In fact, reading between the lines of Teller’s War, its tone comes across a little like a scorned partner who realizes far too late that their spouse had baldly lied to them about an infidelity years earlier.


A postscript. When I wrote “the public is not informed on the decision-making process, has not been invited into the process, and is not wanted to be involved in the process,” that largely assumes the public wants to be informed about defense budgeting.

In an era of political gamesmanship, where “owning” the other political team is more than important than actual leadership and problem-solving, I’ve seen very little interest from the public in how our defense dollars are being spent. Perhaps the military doesn’t need to be secretive at all any more about its research projects.

Ten years of blogging: Portable dreamweavers

J. Hillis Miller

Previously: An unusual parable
Next: A literary eulogy

2016 was a busy year for blogging. Amazon accepted Bridge Daughter for their Kindle Scout program, which entailed a month-long nomination process before they agreed to publish it. It was the start of a fairly intense roller coaster ride, most of which I captured in blog posts along the way.

Amazon’s imprimatur on the novel opened many doors. With a single email sent on a single day of the week to a mere sliver of their customer base, Amazon could generate hundreds of book sales, as though rubbing a lamp to summon a djinn. Amazon’s backing also led to a movie production company inquiring about film rights. They read the book and they asked questions, but ultimately they passed.

(Amazon dismantled the Kindle Scout program in 2018, which I still consider a tragedy.)

Of the long-form blog entries in 2016, I produced three that I remain proud of. I’m torn which to feature here. My account of Don Herron’s Fritz Leiber tour still evokes nostalgia. Don Herron is the creator of the classic Dashiell Hammett tour in San Francisco. Getting a chance to meet Herron and take his lesser-known Fritz Leiber tour was a once-in-a-lifetime opportunity, as he no longer leads it save for special occasions.

Another piece I’m proud of is my review/analysis of the Generation X cult classic Slacker, one of my favorite films. This entry has an untold side story: A few months after posting it, an online film aficionado site on Medium asked if I was interested in adapting the review. Unfortunately, what the editor wanted me to write about wasn’t what I found interesting about Slacker, and the opportunity fizzled out.

On Literature by J. Hillis Miller

The third is a blog post I keep returning to as a kind of manifesto: “Fiction as a controlled experiment,” a write-up of my thoughts on the book On Literature by J. Hillis Miller.

Miller was a scholar at Yale and U.C. Irvine, and known for promoting deconstruction as a means of literary criticism. I discovered On Literature on a shelf of used books in a Tokyo bookstore, and assumed it would be thick with postmodern terminology and abstruse theories. Instead, On Literature is personal and ruminative. Parts of it read like a confessional. Miller admits to a lifelong love of reading, and writes in glowing terms on several children’s books he marveled over in his youth.

What caught my attention the most, however, is when he confesses to viewing a work of fiction as a “pocket or portable dreamweaver.” He describes books as devices that transport the reader to a new “hyper-world” for them to experience. The way he describes it reminds me of the linking books in the classic video game Myst.

Myst linking book
Myst linking book

This quaint vision of narrative is unfashionable in the world of literary criticism. Miller’s vision is also, in my view, charitable to lay readers, who are less interested in high theory and more interested in enjoying books, and curious why some books are more enjoyable than others.

But I do think this vision—”a pocket or portable dreamweaver”—is also a useful guide for an author developing a story or a novel. Miller insists a work of fiction is not “an imitation in words of some pre-existing reality but, on the contrary, it is the creation or discovery of a new, supplementary world, a metaworld.” That is what the creation of story is—not merely revealing or reporting an already existing world, but creating a new one in the author’s mind, and, in turn, recreating it in each reader’s mind. These multiple worlds are similar but never exactly the same.

Miller died in 2021 due to COVID-related issues, one month after the death of his wife of over seventy years. Reading On Literature makes me wish I could have enrolled in one of his courses. Whereas so many of the European deconstructionists seemed intent on subverting the power of literature, Miller was plainly in awe of the written word, and strove to promote it. We need more readers like him.

Fiction as a controlled experiment

“A Man Named Baskerville” reviewed at Melisende’s Library

A Man Named Baskerville by Jim Nelson

This slipped by me in February, but today I learned A Man Named Baskerville is reviewed positively at Melisende’s Library:

This is the much needed backstory of the character of Stapleton from Conan Doyle’s “Hound of the Baskervilles”. It is exceedingly well done and in keeping with Conan Doyle’s original story. … Heartily recommended for lovers of Holmes and those looking to add to their own Sherlock Holmes collections.

Thanks, Melisende! Full review here, more information on the book here, and Amazon page here.

Ten years of blogging: An unusual parable

Photograph of Dashiell Hammett
Dashiell Hammett

Previously: The mysterious B. Traven
Next: Portable dreamweavers

The year 2015 was more productive than the prior for blogging. I managed to eke out twenty-six blog posts, or about one every two weeks. In the world of blogging this is nothing to crow about. I never intended for this blog to be a daily writing exercise, though. I sought to stretch myself in terms of research and preparation for the longer pieces, and to produce longer work that stood on its own, rather than be impressive in its volume.

It was also an eclectic year. I wrote a piece on Japan’s sakoku (its two-hundred and fifty year period of isolation) and rangaku (literally, “Holland learning”). I had no business writing this. I’m not a domain expert on the subject, and my experience is based solely on some personal research and visiting Dejima, the artificial island in Nagasaki where Dutch traders bought and sold goods until the end of sakoku. 2015 is also the year I started writing about story structure and fiction workshopping, topics I feel more at ease discussing.

Humphrey Bogart holding the Maltese Falcon (film prop).
Humphrey Bogart and “the dingus.” (CC BY-SA 2.0)

By far, the most popular blog post of that year, and for this web site’s existence, is “Dashiell Hammett, The Flitcraft Parable (from The Maltese Falcon).” This long post gave me the chance to air a theory I’d developed on the Flitcraft Parable, a brief tale private eye Sam Spade tells femme fatale Brigid O’Shaughnessy in an early chapter of the infamous detective novel. It’s an odd digression for straight-talking Spade to make, and an odd digression in general, for the novel is a model of brisk narration and economical prose. As I wrote in 2015:

One cannot imagine the Flitcraft Parable finding a place in pulps like Black Mask, magazines that instructed their writers “When in doubt, throw a dead body at ’em.” No gun is leveled, no whiskey is poured, no dame is saved. In The Maltese Falcon Dashiell Hammett crafted the most iconic private detective novel ever, the singular representation of an entire form, and yet in it he wrote the most unorthodox story of detection ever.

And that is an important point about the Flitcraft Parable, for it is a story about a rather simple bit of detection Spade was hired to perform many years prior to the events of Falcon. There’s not of a lot of chin-scratching in the parable itself. Rather, the chin-scratching comes later, as Spade attempts to explain what it all means, while O’Shaughnessy characteristically shrugs off its significance.

Like the parables of Christ and the Buddha, the Flitcraft Parable’s shape and ending is ambiguous, and its meaning elusive. Even the reason for Spade telling the parable is debated. I won’t cover it all here, it’s best explained by my post.

By far, the most substantial criticism I received for it was that I’d over-thought my reasoning, and that there was no proof Hammett knew of Charles Sanders Peirce’s work (which I think unlikely). I posted a follow-up in November 2015 giving an alternate, but related, explanation of the parable.

Twenty Writers: Dashiell Hammett, The Flitcraft Parable (from The Maltese Falcon)

According to Cain in the 2022 XYZZY Awards

Cover image for "According to Cain" by Jim Nelson

Yesterday, the 2022 XYZZY final awards were announced.

If you don’t know, the XYZZY Awards are given yearly for interactive fiction. They’re sometimes called the Academy Awards for interactive fiction.

I was blown away to learn that According to Cain won Best Game and Best Implementation for 2022. Cain was also nominated for Best Writing, Best Story, and Best Puzzles.

This caps off a big year for Cain, which placed sixth in the Interactive Fiction Competition, won Outstanding Game of the Year (Player’s Choice) and Outstanding Game Over Two Hours in the IFDB Awards, and was selected for the 2023 Interactive Fiction Top 50.

I’m floored. In 1999, when I first became aware of the interactive fiction community, I wondered if I could write a title that could win the IF Comp or the XYZZY Award.

To place sixth in the IF Comp was more than I could have asked for. (I was happy to make the top twenty.) To win Best Game for the XYZZY Award is, in some ways, a fulfillment of a twenty-four year personal goal.

A Man Named Baskerville now on NetGalley

If you’re a NetGalley member, my Sherlock Holmes-inspired novel A Man Named Baskerville is now available for download and review.

Baskerville is my take on the Arthur Conan Doyle classic. Told as a journal penned by the original’s villain, it relates his life story from a pauper’s childhood in the Empire of Brazil to life on the run in Panama and Costa Rica. He lands in England determined to confront his family and claim his place at Baskerville Hall. All the while, he lays out his plan to settle a score with Holmes and Watson, whom have taken him for dead after their confrontation on the bogs of Dartmoor.

A review copy of the novel is available to NetGalley members upon request. Please note, I’m currently seeking NetGalley members who actively review and crosspost to other sites (Goodreads, Amazon, book blogs, etc.)

For more information, go to the A Man Named Baskerville page on NetGalley.

Availability on NetGalley ends February 6th. Of course, A Man Named Baskerville is always available on Amazon.

Ten years of blogging: The mysterious B. Traven

T. Torsvan, 1926. This photo was taken in Mexico without his knowledge. It’s widely assumed this is B. Traven.

Previously: Introduction
Next: An unusual parable

This blog launched on the first of August, 2014. It was not a big year blog-wise, but I still managed to put out eleven posts (one of which I’ll return to later this year). Worried I would run out of ideas, I devised “Twenty Writers, Twenty Books,” a series where I discuss the books and authors that have left a deep impression on me. (So far, I’ve only managed to finish twelve of the twenty writers. To look at it another way, this writing project is still generating blog posts ten years later.)

Those last months of 2014, my focus was fixed on the finishing edits of Edward Teller Dreams of Barbecuing People, the first book I put out under Kindle Direct Publishing. The novel’s opening line (“The Petrenkos were barbecuing people”) was first typed by me in 1999. After fifteen years, countless drafts and rewrites, and a couple of near-misses with agents who were interested but couldn’t get behind the book, I gave up trying to find it a home. I even considered giving up on writing altogether. Thankfully, I reconsidered, put it on Amazon, and began working on my next novel. (The whole tortured history can be found at The Tusk.)

But my favorite blog post from that first year is without question “B. Traven, The Treasure of the Sierra Madre,” the first entry in my Twenty Writers series. Oddly, it’s one of the newer books on the list, in the sense that I had read it only a few years’ before (whereas most of the other books on the list I discovered earlier in life). Sierra Madre made an indelible mark on me. It made me think about why an author writes a book, and not merely how—but I was doubly fascinated by the mystery surrounding the identity of its author.

It turns out that while the book and John Huston’s movie are incredibly well-known, the true identity of the author has been largely shrouded in mystery to this day.

Hal Croves, 1947. Taken while on the set of John Huston’s adaptation of The Treasure of the Sierra Madre. Humphrey Bogart speculated Croves was actually B. Traven.

I love a good literary mystery, and the mystery of B. Traven is one of the best of the 20th century. While researching the blog post, I read numerous online sources and articles, two books on the subject, and even scoured old editions of Treasure, including the rather optimistic (and rather incorrect) introduction to a 1963 Time-Life edition which declared the matter of his identity settled.

One notable outcome of the blog post was former Chief Executive of BBC Broadcast Will Wyatt reaching out to me via email in 2015. Wyatt wrote and developed the BBC documentary B. Traven: A Mystery Solved and its companion book The Man Who was B. Traven, titled The Secret of the Sierra Madre in the United States. (A transfer of the BBC show can be found on YouTube.) Wyatt’s gracious email pointed out that no one to date has refuted his theory of Traven’s identity. By utter coincidence, I had just weeks earlier discovered a copy of the UK edition in one of the last great used bookstores, Phoenix Books of San Luis Obispo. (I’ve long intended to write a post about The Man Who was B. Traven, but never followed through.)

Coincidentally, as I was writing this post in late December, Wyatt again reached out to me via public comment. He once more defended his work, but also challenged the other theories of Traven’s identity, most of which are based on speculation or hunches. Due to his comment, I’m updating the 2014 post to better explain Wyatt’s research, which was previously only alluded to briefly.

As I replied to him:

Perhaps not reading your book first was a mistake on my part, but I, a mere fan of Traven’s books, and writer of the occasional novel that does not sell in high volume, did not intend [the 2014] post to be the final word on Traven’s identity.

Rather, this post was intended to cover the breadth of the theories out there, farfetched or otherwise, and to give a general feel for Traven’s most likely background. I also wanted to explain why I find so much inspiration in Traven’s works, especially The Treasure of the Sierra Madre.

Alas, all this came too late for the original 2014 post, which relies on Michael L. Baumann’s B. Traven: An Introduction (1976). Baumann treats the question of Traven’s identity as a mystery of literary analysis, which lines up with my interests in the subject. As a German-speaking German-American, Baumann discerns that Traven’s work was most likely written in that language and then crudely translated to English for an American audience. He also offers a clear-eyed interpretation of the themes and political bent of Traven’s novels.

Since I wasn’t interested in proposing a candidate or “solving” the mystery, Baumann was a good primary source to work from. I only wish I could have delved more deeply into the breadth of the Traven theories proposed to date. The tornadic multiplicity of names and initials and pseudonyms linked to Traven is bewildering, fostered by Traven’s generous use of them to cover his tracks.

My fascination is not to keep the mystery alive, but to turn the mystery around and face the mirror at the reader, to give a name to the insatiable curiosity Traven inspired—to remind us there was a time when authors shunned publicity (“the creative person should…have no other biography than his works”) rather than relentlessly strove to build their personal brand.

Twenty Writers: B. Traven, The Treasure of the Sierra Madre