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Interview at Queen’s Book Asylum

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In My Memory Locked by Jim Nelson

Over at Queen’s Book Asylum is a new interview discussing my cyber-noir thriller In My Memory Locked.

A sampling of the discussion:

What draws you to science fiction?
I’m drawn to the “what-if” element of science fiction. Storytelling is a kind of controlled experiment, a chance to live another life or in another time without the use of exotic technologies. Novels are rather like the Myst linking books transporting you to another age. J. Hillis Miller calls books “portable dreamweavers,” and speculative fiction is perhaps the purest distillation of that idea. That’s why I turn to science fiction time and again.

And:

While taking inspiration from those giants of the genre, how does your book both honor and freshen up cyber-noir?

In most mystery novels, the detective is not deeply involved in the mystery he’s solving. For In My Memory Locked, Naroy is absolutely at the center of the crime—and he’s not sure why. He’s even uncertain he’s not the perpetrator. I couldn’t tell the kind of detective story I wanted to tell without science fiction.

The discussion also touches on my Bridge Daughter series, the differences between San Francisco and Tokyo, and how we’re already living in a cyberpunk world, even if we don’t have quarter-inch stereo jacks in our heads.

Read the full interview here. Thanks to Arina at Queen’s Book Asylum for having me!


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Sign up now for A MAN NAMED BASKERVILLE book tour

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If you’re a bookblogger, booktuber, or someone who loves and reviews books, I’m working with Escapist Book Tours for the release of my next novel, A Man Named Baskerville.

Read more about my latest book here, and if you’re interested, sign-up to join the tour! It runs April 18th to 24th. Slots are limited, so sign-up now.


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Coming soon: A MAN NAMED BASKERVILLE

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Cover of "A Man Named Baskerville" by Jim Nelson

I’d like to tell you about my upcoming novel, A Man Named Baskerville.

The germ for the book comes from a train trip across Japan where I had nothing to read save for a collection of Sherlock Holmes stories. From there I read The Hound of the Baskervilles and developed an idea I stored away inside my writing notebook:

What if I told Doyle’s original book from the point of view of the criminal rather than Dr. Watson?

I let this simple idea simmer for a few years before taking up the task. The result is my latest novel, due for publication this March.

To offer a taste, here’s my current back cover blurb:

He took on Sherlock Holmes and Dr. Watson, and he lost.

Now he wants revenge.

In 1888, Sherlock Holmes slayed the spectral hound haunting the Devonshire moor, thereby laying to rest the curse of the Baskervilles once and for all. The perpetrator escaped into the night and was presumed drowned, consumed by the murky bog…

In truth, the criminal mastermind survived the night to nurse his wounds and plot his revenge against Sherlock Holmes.

A Man Named Baskerville recounts the life and times of Rodger Baskerville, heir to the esteemed family’s fortune. His journal records his adventures from the Amazon rainforests to the beaches of Costa Rica to Victorian England, where he attempts to rejoin his family and take his rightful place at Baskerville Hall. Along the way, he peels back the layers of family secrets and scandals untold in Watson’s account of the demonic hound haunting the Baskervilles.

Most of all, he describes a Sherlock Holmes unlike the detective you think you know.

A Man Named Baskerville retells the infamous Arthur Conan Doyle mystery in a way like you’ve never read before. It’s a sizzling new take on a classic hailed as a masterpiece of the English language, named one of the most influential books ever by the BBC and Le Monde, and beloved by Sherlock Holmes fans worldwide for over a century.

A Man Named Baskerville is a Victorian-era novel of crime and suspense about what may be the least-understood criminal in the Sherlock Holmes canon. As Holmes said of him, “We have never had a foeman more worthy of our steel … He is a creature of infinite patience and craft, with a smiling face and a murderous heart.”

He also has a story of his own to tell, and that’s what A Man Named Baskerville is about.

If you want to be notified when the book is ready, sign up for my newsletter. Not only will you get a message when it’s ready, you’ll have a chance to buy early copies at a reduced price.

Advance readers wanted

I’m currently seeking advance readers. If you’d like to read an ARC (Advance Review Copy):

  • Send me an email at jimbonator@gmail.com with the Subject: line “ARC for A Man Named Baskerville”
  • I’ll send you a link to download a digital copy (in either EPUB or MOBI format)
  • You read it (sooner rather than later)
  • You submit an honest and personal review on its Amazon page when the book is released

And that’s all there is to it.

Note that the advance copy you receive may still have typos, small errors, etc. It will be missing the cover and the usual front and back matter. I’m now using the BookFunnel service to distribute ARCs, which should make it easy to load the book into your e-reader (or read online).

The ARC is not ready at this moment. If you email me, you should expect to receive a copy in the middle of March, about 1 to 2 weeks before the book is published.

Thank you!


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Past Present, an interactive short story

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A Dreamers Travel Destination, L. Whittaker (CC BY-NC 2.0)

Some of you know my day job is computer programming, but you might not know the reason I first became drawn to the infernal machines: I wanted to write video games.

One youthful goal in particular was to write an interactive fiction—another term for a “text adventure,” a type of video game that was quite popular in the 1980s. Instead of relying on graphics, sounds, and animation, it’s a game where the player reads descriptions and enters commands. You’re interacting with the story more than reading the story.

It’s funny to look back to 1978 (or so) and recall my younger self as so eager to write the next Asteroids or Galaga. Forty-plus years later, after writing and debugging countless lines of code, I never once managed to cough together a program that could be construed a video game.

Until now. Recently I decided to check the box on this lifelong goal and see how far I can take it.

I’ve released my first interactive fiction, a game called Past Present. I describe it as akin to a Twilight Zone episode: The main character, an average man, is given a fantastic opportunity to change his past, and perhaps change his future as well. It’s a short game, one that can be played in a single sitting.

If you’re interested, head over to the game’s home page for more information, downloading instructions, and even a link for playing the game online.


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IF Comp 2021 Winner: And Then You Come to a House Not Unlike the Previous One

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The IF Competition 2021 award ceremonies were held yesterday, and the winner announced: And Then You Come to a House Not Unlike the Previous One, which I reviewed earlier:

The execution is excellent. The prose and dialogue are spot-on, and the story develops organically. The shifting and blending between the “real world” and the computer world never left me confused. NPC interactions come off seamlessly.

House also took first place in the Miss Congeniality context (highest rating by other IF Comp entrants).

The superb Western The Song of the Mockingbird placed third (and second in the Miss Congeniality), and the impactful What Heart Heard Of, Ghost Guessed took fourth.

(As an aside, Mockingbird was so enjoyable, it got me to pick up Louis L’Amour’s Hondo, a book I’ve been meaning to read for years now. Although I’ve watched plenty of Western films, I’ve never read one, and Mike Carletta’s Texas romp encouraged me to start.)

Any surprises? I thought Ghosts Within would have cracked the top 20, with its expansive map and many layers of exploration offering an old-school interactive fiction experience. And I hoped for the same with Closure, a game which unexpectedly captured my attention with its immediacy and a novel use of the IF parser. They nearly reached that ranking, placing 28th and 27th respectively.

The full IF Comp 2021 rankings can be perused here.

Congratulations to everyone who competed! All these entries represent a tremendous amount of work and dedication.


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SPSFC: New Worlds Await

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I’ve teamed up with my fellow writers in the Self-Published Science Fiction Competition (SPSFC) to put together a special deal. We’re offering for a limited time downloading our books or selections from them. Here’s your chance to download over twenty books from work under consideration in the competition.

Included is my cyber-noir thriller In My Memory Locked, as well as plenty of other selections from all over the sci-fi gamut.


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IFComp 2021: Closure

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See here for my IFComp 2021 scoring and reviewing rubrics.

The headline for Closure by Sarah Willson is “An ill-advised sad teen heist.” That truly is an appropriate summation for this quick and tidy parser game.

Closure opens with a Mad Libs series of questions (“What’s an activity you like doing around the house on a day off?” and so forth) before launching straight into the situation at hand. You receive a text message from your friend Kira:

i did something totally cool and normal that you will definitely not disapprove of

i'm in TJ's dorm room right now

TJ being Kira’s ex-boyfriend, naturally, who is away for the afternoon. Kira is Watergating his room to reclaim an old photo from when they were a couple. Kira texted you because she needs your help searching for said memento.

The innovation here is to use an interactive fiction parser as an SMS interface, where your commands are not actually instructions for the story’s “you,” but rather for Kira as she frantically ransacks TJ’s dorm room. All of my commands received character-appropriate responses from Kira rather than the flat, characterless responses typical for text adventures (although I didn’t try anything too wacky). Even when I got a touch stuck, the hint system remained in character:

>hint
you're asking me? that's why i texted you in the first place!

ok, let's see

if it were me, i'd probably…

Another nice interface touch: When Kira sends multiple messages to you in succession, you have to press a key to receive each one. It’s a clever way of emulating the natural pauses when texting.

There’s a Rorschach test within Closure: My first command to Kira was LEAVE, which she promptly refused. I betrayed my principles and began assisting her in her search. The game’s setup makes you complicit. I felt a bit guilty throughout my session.

Most everyone has been in this situation, or at least knows someone who was—well, maybe not texting while breaking-and-entering, but madly jealous and forlorn, along with the concomitant regrettable decision-making. There’s not a lot of time for character development or nuance in Closure; it’s Kira’s hyper-focused mindset and the frisson of her situation which sustains interest.

Is there room for improvement? I suppose so, but I admire the minimalism of the project: You’re dropped into the situation, you navigate Kira through it, and you witness a transformation. It’s not deep, nuanced stuff, but it doesn’t purport to be. Closure is more like a breezy short story, a slice-of-life, than a full-bodied, novella-like game. It can be finished over a short lunch.

I confess: Within twenty seconds of opening Closure, I thought, “This isn’t my kinda game.” The pleasant surprise was its constrained scope and smart design choices drawing me into Kira’s little adventure.


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