Secret Agenda: Watergate, Deep Throat and the CIA by Jim Hougan

Cover of Secret Agenda: Watergate, Deep Throat and the CIA, by Jim Hougan

(This was originally written for Astral Codex Ten’s annual book review contest, but did not make the final round. I’m posting it here for anyone interested in American political history, as well as for all the Watergate buffs out there. You know who you are. Enjoy.)


“I had this nagging feeling that the Watergate might turn out like the Reichstag fire. You know, forty years from now will people still be asking did the guy set it and was he a German or was he just a crazy Dutchman?”

– Howard Simons, editor, Washington Post

The master narrative

It’s not an airtight truism, but it appears to be a truism all the same: The first widely-accepted telling of a tragedy or scandal establishes it as the narrative all others must react to. The first popular narrative is “sticky,” and difficult to overcome entirely. This is especially true with the Watergate scandal.

Reporters Bob Woodward and Carl Bernstein’s All the President’s Men could arguably be called Watergate’s master narrative, even though the first edition was published in 1974, two months before Nixon resigned. It contains all the elements of the Watergate story, from the scandal’s basic outline to the political implications that rocked the nation.

The remainder of the 1970s saw a Senate committee investigation, the release of numerous Watergate memoirs and tell-alls from Nixon’s aides, and two books from Nixon himself. After a legal battle, Nixon’s White House tapes wound up in the hands of the National Archives. Every few years for four decades, transcripts of the conversations Nixon held in private with his aides were released to the public. (The final batch was released in 2013.)

Amazingly, none of these later revelations did much (if any) damage to the narrative that is All the President’s Men. For the master narrative of a major scandal, it’s proven quite sturdy.

My vote for the most significant challenge to the Woodward/Bernstein narrative is Jim Hougan’s Secret Agenda: Watergate, Deep Throat and the CIA (Random House, 1984). Hougan doesn’t offer a complete re-telling of the scandal, but he does fill in a number of omissions from the master narrative that leads him to many surprising (and some dubious) conclusions.

Hougan did not set out to write another Watergate book. He estimated in 1984 that there were some 150 books on the subject published before his. Secret Agenda emerged from a magazine story he intended to write on a colorful private detective named Louis Russell, an “alcoholic and womanizer” who, in the 1950s, was a “Red hunter” for the House Committee on Un-American Activities. By 1972, Russell was a Washington, D.C. fixture who hung out with call girls and specialized in wiretapping. Hougan’s description makes Russell come across like a character in a James Ellroy novel.

Hougan’s research uncovered that Russell was employed by Watergate burglar James McCord at the time of the break-in. Hougan also learned that Russell was present at the Watergate complex the night of the arrests.

While researching this bit of Beltway serendipity, Hougan came to realize that no one up to that point had done a proper accounting of the Watergate break-in itself. This led him to interview a number of eyewitnesses who’d been overlooked by earlier researchers, such as the arresting police officers. He also obtained via Freedom of Information Act (FOIA) requests “literally thousands of pages” of FBI documents on Watergate that, for most likely internecine reasons, were not made available to the Senate Watergate committee.

To get a sense of the difference between Secret Agenda and All the President’s Men, consider how Woodward and Bernstein’s book opens:

June 17, 1972. Nine o’clock Saturday morning. Early for the telephone. Woodward fumbled for the receiver and snapped awake. The city editor of the Washington Post was on the line. Five men had been arrested earlier that morning in a burglary at Democratic headquarters, carrying photographic equipment and electronic gear. Could he come in?

It’s a terse opening, the kind of brisk pacing one might find in a 1970s political thriller. It also opens the morning after the Watergate burglary. Woodward and Bernstein do touch on the burglary itself, but—like most other histories of Watergate—they don’t delve deeply into the break-in’s motivations, planning, or execution. Rather, they focus on the subsequent cover-up orchestrated by the Nixon White House.

Cover of the first edition of All the President's Men, by Carl Bernstein and Bob Woodward

And why should they focus on the break-in? The burglars were caught red-handed. They all pled guilty to the crime. As Hougan writes:

Because the burglars had been caught in the act, the burglary itself had not seemed to warrant intensive investigation. The best efforts of the press, the Senate and subsequently the special prosecutor were therefore applied to questions of political responsibility and culpability in the cover-up. For that reason, many questions about the break-in had been left unanswered—not the least of which was its purpose. [Emphasis mine.]

Those unanswered questions include: Why did the burglars break into the headquarters of the Democratic National Committee (DNC)? What did they expect to learn? And who ordered it? Fifty years after the fact, these basic questions have not been firmly answered.

More explosively—or absurdly, depending on your inclination—Hougan proposes Watergate “was not so much a partisan political scandal as it was, secretly, a sex scandal, the unpredictable outcome of a CIA operation that, in its simplest terms, tripped on its own shoelaces.” He proposes a high-priced call-girl ring in a nearby apartment complex was the actual motive for the break-in. He also speculates the CIA sabotaged the break-in to protect the Agency’s interests.

This might make Secret Agenda sound like sensationalized conspiracy-minded rubbish. It doesn’t help that Secret Agenda has been so overlooked that it’s now out-of-print and nearly forgotten.

The reputation Secret Agenda has earned in Watergate circles comes not in copies sold, but in its influence. Watergate researchers admit Hougan’s work is significant, and have incorporated its revelations into their own histories. BBC journalist Fred Emery (author of the superb Watergate: The Corruption of American Politics and the Fall of Richard Nixon) wrote in 1994 that Secret Agenda

effectively explodes the version of the first break-in told at the time. It was never properly investigated, mainly because the FBI, federal prosecutors, and eventually congressional committees became, understandably, more interested in political responsibilities than in forensic detail. Hougan’s is the most thorough expose of all the break-in anomalies. His revisionist version raises perhaps more questions than it answers and Hougan honestly admits ending up in many a cul-de-sac.

This, to me, is what’s required when reading Secret Agenda: To recognize when Hougan is working from corroborated or, at least, primary sources, and to smell when he’s off in a “cul-de-sac” and wildly speculating. As I read the book, I found myself wrestling with Hougan’s wilder claims and wishing he would stick to more sure-footed research.

Still, after shaking out the dross, I remain convinced that there is much gold to be panned here, if we’re ever to understand the entirety of the Watergate scandal.

Prelude to the break-in

Hougan’s book launches with biographies of two of the break-in accomplices: E. Howard Hunt and James McCord, both long-time operatives for the CIA.

Hunt’s bio is the more evocative of the pair. His intelligence career began at the Office of Strategic Services (OSS) during World War II before joining the CIA. He was involved in the Guatemalan coup of 1954 and the Bay of Pigs fiasco. On the side, he penned dozens of spy thrillers and adventure pulps about soldiers-of-fortune and treasure hunters.

McCord, on the other hand, was phlegmatic, hard-working, and demanding—a Baptist Bible-thumper. His resume is less documented than Hunt’s, and what’s known is less colorful. Hougan paints Hunt as cosmopolitan and adventurous, and McCord as the quiet technician who organized the team and got things done. He also presents the pair as the true leads in the Watergate break-in.

This arrangement turns the usual org chart presented by Watergate books on its head. G. Gordon Liddy is generally depicted as the leader of the White House Special Investigations Unit, the secret political team dubbed the Plumbers because they “fixed leaks.” Hunt (and, later, McCord) were nominally underlings taking orders from Liddy. Hougan submits that Hunt was the de facto ringleader.

Liddy was no slouch—he was ex-FBI and ex-Treasury Department before joining the White House—but his resume was not of the same caliber as Hunt’s. Liddy was brazen, outspoken, reactionary, and fond of guns. It’s easy to write him off as a big-mouthed goon. In Watergate circles, however, his 1980 memoir Will is considered one of the more reliable among the tell-alls penned by Nixon’s other men. Liddy also appears to be the only Nixonite who thought his role in the scandal enhanced, rather than stained, his legacy.

Notably, it was Hunt, not Liddy, who rounded up the men the Plumbers would use for their black bag operations. They were a loose confederation of Floridians dubbed “the Cubans,” although not all were Cuban. (They all appear to have been involved with the Bay of Pigs invasion, however.) Hunt spoke fluent Spanish, meaning Liddy had to go through him to communicate with some of the men he was ostensibly leading. Hougan asserts, with evidence, that all the Cubans remained affiliated with the CIA one way or another. In other words, everyone involved with the Watergate break-in—except Liddy and lookout man Alfred Baldwin—had ties to the Agency.

The Plumbers were first organized by Nixon’s White House in response to the leaking of the Pentagon Papers by Daniel Ellsberg. The group’s earliest mission was to break into Ellsberg’s psychiatrist’s office and photograph his medical file.

(Later, the White House team began to work with members of Nixon’s reelection campaign, where Liddy was reassigned. Calling these configurations “Plumbers” is a bit of a misnomer. For clarity, the team is referred to by their nickname whether or not all involved were members of the original Special Investigations Unit.)

Hougan is at his best when he’s covering the nuts-and-bolts of the Plumbers’ operations, and that includes the Ellsberg break-in. (As with the Watergate burglary, most narratives before Secret Agenda avoid investigating the execution of the Ellsberg break-in and stick to decoding its political implications.) Hougan pieces together the minutiae of the operation from disparate sources: Senate testimony, FBI and police reports, interviews, memoirs, and so on. He’s also good at weighing all the discrepancies in the stories. Like a fair-minded boss who insists all voices are heard in a meeting, he airs the Rashomon-like contradictions and attempts to synthesize them, reluctant to discard anything “just because.”

But as happens so often in the book, Hougan finds an unsubstantiated tangent, or a loose thread, or a whispered rumor, and runs with it. In this case, he writes that the CIA in the early 1970s was producing verbal models on foreign leaders (via “parapsychology”). These “machines” could predict those leaders’ reactions to a variety of political events and upheavals. Hougan speculates the CIA planned to turn this innovation on Americans. Once Hunt placed Ellsberg’s psychiatric file in the Agency’s hands, they would produce an “Ellsberg machine.” Even if the claim is entirely accurate, it contributes little to understanding the Plumbers and the Watergate episode.

This is the big problem with reading Secret Agenda, this constant need to sift the wheat from the chaff. I cannot imagine such a convoluted assertion making it into the pages of All the President’s Men, not even to dismiss it.

Watergate

Secret Agenda’s best chapters are devoted to the Watergate burglaries. As with the Ellsberg break-in, he paints a full and convincing picture by weaving together a multitude of often contradictory sources into a semi-cohesive story.

Over the Memorial Day weekend in 1972, the Plumbers tried three times to enter the DNC headquarters at the Watergate complex. The first attempt was a bizarre evening. The Plumbers rented an event room at the Watergate under the pretense of holding a corporate business party. (Stupidly, the Plumbers reserved the room under the name of a shell company registered to one of the Cubans.) The evening concluded with Hunt and one of the Cubans hiding in a closet after the others had left. The plan was to emerge later, allow the others to re-enter through a side door, and sneak upstairs to the DNC. Instead, like a French farce, the pair were locked inside the event room all night, and could only leave when building staff let them out the next morning. After another embarrassing failure on the second night, the group gained entry to the DNC on the third.

For reasons unexplained by anyone involved, one of the bugs they set was placed on a phone in R. Spencer Oliver’s office.

Oliver was a coordinator of Democratic state-level activity, and not associated with the presidential campaigns still ongoing in 1972. His job meant he was on the road a great deal. Why the Plumbers or the White House would be interested in Oliver’s phone is one of the great mysteries Hougan uncovers. He spends a number of pages attempting to get to the bottom of it. In fact, it becomes the crux of his theory as to why the burglars entered the DNC in the first place.

The other wiretap target, DNC chairman Larry O’Brien’s telephone, makes more sense at first, but less so on further consideration.

O’Brien wasn’t in D.C. during this time; he was in Miami preparing for the Democrat’s national convention. According to Liddy, the DNC was a “worthless” target, and this was echoed by many of Nixon’s men after the scandal unfolded. Liddy complained that bugging the campaign headquarters of presidential aspirants Edmund Muskie and George McGovern would have produced far more actionable intelligence for the Nixon reelection campaign. (The Plumbers did stake-out McGovern’s headquarters for entry, but failed to follow through.)

Once the bugs were in place, Liddy demanded daily reports of the DNC phone recordings, which he planned to cull and pass upward to White House leadership. Liddy was denied access to the raw conversations, though, because CIA technician James McCord refused to use tape recorders. Rather, an employee of McCord’s private security firm, Alfred Baldwin III, was to room in a Howard Johnson hotel across the street from the Watergate, wait for the bugged phone calls to come over a receiver, and transcribe the conversations by hand. These were typed up into summaries.

Thus, McCord controlled access to the intelligence, supplying Liddy the typed summaries rather than verbatim transcriptions. It’s another reason why Hougan thinks Hunt and McCord were the real ringleaders of the operation.

This is where an already complicated story goes from knotty to Gordian.

What Baldwin did hear over the bugs appears to be exactly the worthless garbage Liddy predicted they’d get. The mysterious wiretap on Oliver’s phone produced little more than a series of risqué conversations. With Oliver traveling so often, it’s speculated that DNC staff used his office as a “phone booth” for making private calls, and that Baldwin was listening in on secretaries erotically teasing their boyfriends. Hougan makes a different connection.

The Columbia Plaza stood near the Watergate complex. A high-priced call-girl ring operated within its apartments, one that was broken up by D.C. police the weekend before the final, fateful Watergate break-in. The call girls were still in full swing when the burglars first planted their phone taps. Hougan speculates Oliver’s private phone was used by the Democrats to arrange assignations with the call girls for high-ranking party members visiting from out of town. If so—and if the CIA was aware of the practice—tapping Oliver’s phone makes much more sense.

Whether the bugs were faulty, had dead batteries, or simply ill-placed and not obtaining the high-quality political intelligence the White House craved—explanations differ—three weeks later, the order came down for one more break-in of the DNC headquarters.

Hougan’s chapters covering the final break-in are Secret Agenda’s centerpiece, which it should be, as it’s why Hougan set out to write a Watergate book in the first place. He offers a rich and surprising narrative of the fateful night, including several near-misses which could have radically altered American history. A sample of some of the craziness:

  • Plumber Frank Sturgis ran into Burt Lancaster hours before the break-in. Hunt and McCord had a similar star-struck moment in the Watergate Hotel elevator with French actor Alain Delon. (Both actors were in D.C. filming the Cold War thriller Scorpio.)
  • The Watergate burglars infamously entered the Watergate late at night by taping the latches open on a side door. Hougan reveals there’s quite a bit of confusion on how and when the latches were taped, and who did the taping.
  • Although they successfully entered the DNC’s headquarters weeks earlier, this night the burglars were unable to pick the front door lock. They resorted to taking the door off its hinges and removing it from the frame.
  • On the eighth floor of the Watergate building, two stories above the DNC’s headquarters, were offices for the Federal Reserve Board, which had its own set of guards patrolling the building. Amazingly, none of them detected the burglars or the taped doors.
  • Almost all the principal figures in the Watergate drama wind up at one point or another at the Howard Johnson’s coffee shop across the street for a late-night snack. This includes Frank Wills, the Watergate security guard who discovered the taped latches on the ground floor doors and called the police.
  • Wills is usually depicted as acting immediately upon discovery of the taped doors. He was actually reluctant to notify the police. Instead, he made multiple furtive calls to his bosses at the security firm he worked for. His run across the street for take-out further delayed calling the police.
  • Around 2 am, during the arrests, police spotted a white male leaving the Watergate lobby. The FBI later declared him the “sixth man” of the entry team. He remains unidentified.

Most surprisingly, Hougan’s meticulous chronology proves Wills’ reluctance to call the police—and his late-night food run—actually led to the burglars’ arrest! No arrests, no Watergate scandal—no Nixon resignation.

“Take all the cameras you need!”

Secret Agenda touches on the aftermath of the break-in, with Nixon’s men frantically destroying evidence and arranging legal representation for the detained men, before winding down. The book doesn’t go deep on the subsequent political cover-up, which is the focus of All the President’s Men. Secret Agenda isn’t a “follow the money” book. Reading it alone to understand the entirety of the scandal would be a mistake.

(Hougan does burn up a chapter to partake in the then-fashionable parlor game of “Who was Deep Throat?” He leans toward Alexander Haig—a swing and a miss.)

Returning to my earlier questions: Why did the burglars do it? What did they expect to find? And who ordered the break-ins?

Last question first: Jeb Magruder ordered the final break-in. (By then, Magruder was Deputy Campaign Director at Nixon’s reelection committee.) In an uncharacteristic display, Magruder yelled at Liddy: “Take all the men, take all the cameras you need!” He slapped the lower drawer on his desk with a bang, indicating he wanted some secret filed away in the DNC.

The Colombia Plaza call-girl ring had been busted three days earlier. Nixon’s men had pressured the D.C. district attorney to turn over the ring’s “trick books” to see if any White House personnel were implicated. With the election mere months away, the call-girl ring was the scandal du jour at the White House. Hougan speculates Magruder was “galvanized” by the vice bust and ordered the second break-in to clean up the wiretap situation.

But who ordered the initial break-in three weeks earlier is less certain. Magruder did send in Liddy’s team the first time (“a waste of time and money, in Liddy’s view”), but it’s never persuasively concluded who made the order to Magruder. Attorney to the President John Dean wrote of confronting Magruder on the subject while both were in prison. “Why did we go into the DNC?” Dean demanded. “Whose idea was it?” Magruder merely stormed off.

A common explanation for the break-in is that the White House wanted to know what incriminating evidence DNC chairman Larry O’Brien may have had on Nixon, either regarding political favors for telecom corporation ITT, or a payoff made to Nixon from Howard Hughes. As Hougan points out, both explanations suffer.

On the first point, Liddy met with White House officials about several “targets of opportunity.” He’s adamant the initial order to break into the Watergate only came from Magruder months after the ITT issue had been discussed. (“While Liddy has been called many things,” Hougan writes, “‘liar’ is not one of them.”) The Plumbers’ other covert operations had nothing similar in terms of time lag.

As for the second possibility, Nixon’s worries about Hughes, the Plumbers were tasked to break into Las Vegas newspaper publisher Hank Greenspun’s office (due to him being “deeply enmeshed in the reclusive billionaire’s affairs”) and to rifle his safe for incriminating documents, either on Nixon or his presidential opponent Muskie. (The break-in never occurred. Also: Greenspun was a lifelong Republican!) It’s too bad Hougan could not have gone deeper on the Hughes angle.

Hougan suggests another possibility for the final entry: To de-bug the Democrats’ phones.

His reasons are not far-fetched. In the aftermath of the arrests, neither the phone company nor the FBI found any wiretaps in the DNC offices. The FBI went so far in their reports to theorize the DNC’s phones were never bugged in the first place. The transcripts produced by Baldwin from the Howard Johnson’s would seem to disprove such a wild claim.

(Of course, the notion that the Plumbers were in the DNC to remove wiretaps is pretty wild too, but notice how Magruder ordered Liddy to “take all the cameras you need”—not wiretaps, but cameras.)

This leads to a full chapter on an all-but-forgotten episode in Watergate history: A few months after the arrests, the Democrats announced they discovered a new bug in the DNC. This “September bug” was found on the ever-fascinating telephone of R. Spencer Oliver.

The FBI and the attorneys prosecuting the Plumbers went round and round pointing fingers. Did the FBI and the phone company miss the bug in their earlier sweep? Did the Democrats plant the bug and “find it” for political points? Was it placed after the arrests by another covert operation? Again, Hougan comes up with his own, somewhat convoluted theory that’s too thorny to cover here. Even if it’s hard to accept, the entire episode is a further indicator of just how tangled the Watergate break-ins are to decipher.

Another tantalizing detail Hougan uncovers via the FOIA FBI documents (and confirmed by arresting D.C. police officer Carl Schoffler) is that one of the Cubans carried a notebook with a key taped to it. The FBI later determined the key opened only one lock in the office: the desk of Ida “Maxie” Wells, secretary to—wait for it—R. Spencer Oliver. During the break-in, the Cubans had assembled a photographic stand on Wells’ desk, apparently in preparation for taking pictures of something inside the locked drawers. Whatever it all means, it does suggest Larry O’Brien was not the sole target that night.

Liddy tells a funny story in his memoir that’s recounted in Secret Agenda: One of Liddy’s early proposed plans was to lure Democrats aboard a Miami party yacht stocked with prostitutes, cigars, and liquor, for blackmail purposes. When the idea was shot down, Jeb Magruder suggested they bring the women to D.C. Liddy rebuffed him: “I told Jeb that bringing whores to Washington was like shipping cars to Detroit…If [Magruder] could justify a trip to Miami, could I fix him up with our girls? Jesus, I thought, the wimp can’t even get laid with a hooker by himself.”

Hougan—always on the lookout for connections, no matter how tenuous—notes that bugging Oliver’s phone (if it was used by the Democrats to contact the call-girl ring) has echoes of Liddy’s earlier Miami plan.

Hougan offers several combinations of reasons why he believes the call-girl ring was the true motivation for entering the Watergate—from White House fears to CIA cover-up—but none of them are especially persuasive to me. The real value in Secret Agenda comes from the other more grounded details on the break-in he dredges up.

Was it Nixon?

The nagging questions that remain unanswered about Watergate—Who ordered the first break-in? Why Watergate?—usually elicit names higher up the chain: H.R. Haldeman (Chief of Staff), John Mitchell (Attorney General, later the head of Nixon’s reelection campaign), or Nixon himself.

For some, there is no mystery. Journalist Ron Rosenbaum thinks historians have timidly skirted the issue and let Nixon off scot-free with a hasty resignation and a free flight to California. For Rosenbaum, circumstantial evidence is more than sufficient:

Nixon is heard on a recording made two days after the news broke of the break-in proclaiming that he was shocked by it and—knowing the tape is rolling—saying it was silly for anyone to break into the Democratic National Committee party headquarters because any savvy pol would know that all the valuable dirt would be found in the (yet to be named) presidential candidate’s headquarters.

And then he delivers one of his most inculpatory statements on tape: “That’s my public line.” In other words, that was how he was going to lie his way out of any connection…

There’s a mild contradiction here: Nixon knows the phone call is being recorded and feigns shock at news of the break-in—then admits into the tape recorder he’s going to lie his way out of it? I don’t doubt Nixon at least suspected his re-election committee was involved. I just don’t see those four ambiguous words (“That’s my public line”) proving Nixon ordered the break-in.

Another point propping up Rosenbaum’s (and others’) argument: In 2003, Magruder claimed to have heard Nixon issue the order:

Magruder said he could hear Nixon tell Mitchell, “John, … we need to get the information on Larry O’Brien, and the only way we can do that is through Liddy’s plan. And you need to do that.” … Magruder concedes that he did not hear every single word while Nixon was on the phone with Mitchell, but “I heard the import,” he said.

Magruder’s allegation is explosive—and one he could’ve made in his 1973 memoir (where he states Nixon had no foreknowledge of the break-in), or at any point in time thereafter. Never mind that Liddy did not propose the DNC as a target, and steadily asserted for years his opposition to wasting time and resources on it. Thus, in 2003, Magruder claimed to have lied and withheld for thirty years—on top of conspiring to cover-up the Watergate criminal acts—and now should be believed.

Hougan goes to great lengths to air all the players’ recall of each event, but one person he cannot help but slam is Magruder. In almost every White House meeting Magruder attends, the others involved more-or-less agree in their recollections. Magruder always spins a wildly different take. Generally, it’s a take that exculpates himself. “To believe Magruder, then, one must also believe everyone else is lying,” Hougan writes.

Still, for people like Rosenbaum, Nixon was guilty, and that’s that: Come on—we all know Nixon did it. But as Glenn Garvin wrote in 2022, “Fifty years later we still don’t know who ordered the core crime or why.” Nixon was guilty of plenty, but that guilt doesn’t answer the question of why the DNC headquarters were targeted, or prove Nixon masterminded the break-in.

An intentionalist view would say that the only way the Plumbers would have broken into the DNC is if Nixon ordered them to do it. Such commands don’t originate from a lowly assistant, goes the reasoning.

The problem is that there’s no evidence of such an order. Even with a taping system in place, testimony and memoirs, and physical documentation preserved, no one has found any hard evidence that Nixon ordered the Watergate break-in.

A functionalist explanation would approach the problem from another angle. It would say that Nixon nurtured a culture encouraging such activities. His inferiors sought to curry favor by meeting, or exceeding, his expectations. Political advantage became the currency of patronage, where an individual is rewarded for bringing capital into the organization—intelligence, leverage, and so on.

Here’s Nixon ordering a break-in of the Brookings Institution on June 30, 1971, a full year before the Watergate burglary:

“You’re to break into the place, rifle the files, and bring them out. … Go in around 8 or 9 o’clock. That’s right. You go in and inspect and clean it out. … We’re up against an enemy, a conspiracy. They’re using any means. We are going to use any means. Is that clear?”

Although the burglary never took place, the Brookings order is far more damning than his “public line” conversation or Magruder’s claims. The conversation indicates Nixon is capable of ordering a crime on the magnitude of the Watergate break-in.

But as the Nixon tapes make clear, Nixon didn’t merely order a burglary of the Brookings Institution, he couldn’t shut up about it. He kept discussing the idea, and even ordered it again a year later. (“…get in there and get those files. Blow the safe and get them.”) If Nixon ordered the Watergate break-in, he was awfully quiet about it, whereas he was more than verbal about a similar, and more violent, burglary.

His order for Haldeman to “blow the safe” at Brookings set off a chain of events in the Nixon White House. Those events culminated with Nixon aide Charles Colson (purportedly) planning to firebomb the institute’s headquarters. (“Not just a fire, a firebombing.”) The order mutated from “break into the place, rifle the files” to deadly arson.

Liddy tells of a similar mutation, where an idle comment that “we need to get rid of that [Jack] Anderson guy” was interpreted as a call to assassinate the journalist, which he and Hunt discussed with a CIA physician. (The plan never amounted to anything more than talk.)

Cover of Watergate: The Corruption of American Politics and the Fall of Richard Nixon, by Fred Emery

In Fred Emery’s Watergate, Colson recalls a meeting with Nixon regarding the recent assassination attempt by Arthur Bremer on presidential candidate and segregationist George Wallace:

Nixon’s having a cocktail, he’s sitting there with his feet back, we’re waiting for the FBI to call. As happened hundreds of times under those circumstances, he would say, “Wouldn’t it be great if…oh, wouldn’t it be great if they had left-wing propaganda in [Bremer’s] apartment?”

Sure enough, Liddy confirmed in 1980 he and Hunt sought to plant left-wing literature in Bremer’s apartment, but the FBI had already sealed the apartment. A verbal musing by Nixon—however feigned in innocence it may have been steeped—trickles down the power ladder as a call to illegal action.

Another example is the forged “Canuck letter” that destroyed the presidential campaign of Edmund Muskie. It was penned by Nixon spokesman Ken Clawson mere weeks after he joined the administration. It appears he wrote the letter as a kind of initiation rite to prove his loyalty to the president. An need to prove loyalty wrecks a presidential campaign.

Did Nixon order the Watergate break-in? If he did, not having a recording or a reliable contemporaneous account of it may be the biggest Watergate miracle of all. But a functionalist reading of executive power suggests why: Nixon fostered a culture of patronage whose currency was dirty tricks and illegal acts, which he could later deny originated from his office.

As Colson told a Nixon biographer, “You could always get rewarded if you showed up at the White House with a bit of negative intelligence, so the puppies kept coming in with their bones.”

The lessons of Watergate

Secret Agenda is a curious book on the rather long shelf of Watergate literature. Unlike other histories, which mostly recount the same events and profile the same personalities, Secret Agenda strikes out to cover territory overlooked by the others. Its minute-by-minute accounting of the Plumbers’ covert operations sometimes reads like a thriller and sometimes like farce, but is marred by Hougan’s propensity to wander into wild speculation.

“What follows in this book does not pretend to be a ‘definitive’ account of the Watergate affair,” Hougan admits in the introduction. “It is simply an attempt to correct the record insofar as it is possible to do so, and to suggest avenues of further investigation.”

Yet Secret Agenda left behind a remarkable footprint on that shelf of Watergate literature. Hougan’s research found its way into Fred Emery’s Watergate, the first cohesive post-1970s history of the entire scandal, and Garrett Graff’s more recent Watergate: A New History. Joan Hoff points out in Nixon Reconsidered that “of all the theories to surface claiming to explain the reason for the Watergate break-in, none has been adequately documented. One, however deserves mention,” namely, Secret Agenda.

My Occam’s razor-ish take on Secret Agenda goes something like this:

I cannot help but find myself persuaded by the CIA connections Hougan dwells upon. The CIA did assist the Plumbers with disguises, fake identification, and equipment; this is documented elsewhere. What’s more of a stretch is the suggestion that the CIA was secretly running (or sabotaging!) the Plumbers’ operations without the knowledge of Liddy, Magruder, or the White House.

The White House employing Hunt to gather political intelligence dropped a gift in the CIA’s lap. Hunt could share with the Agency anything gathered by the Plumbers. That meant the White House was funding intelligence-gathering for the CIA’s benefit, and the White House assumed all the risk if caught. For the CIA, what’s the downside? Although the source of Ida Wells’ desk key is a mystery that may never be solved, “the CIA supplied it” is a plausible hand-wavey answer, considering what we know about its activities in that time period.

As for the true reason behind the break-in, it appears everyone involved had their own motivations, often in conflict. Some of those involved had the opportunity to act on those motivations. Hougan does not convince me that the call-girl ring motivated the break-in. The timing of the vice bust in relation to the second break-in, and the bug on Oliver’s phone, does make it seem a potential sex scandal was on some of the Watergate players’ minds.

I can’t help but think if we knew what was in that locked desk, and why Oliver’s phone was targeted, we would have a far better idea of what they were after.

After all, what are the lessons of Watergate? No lessons may be learned until the problem is understood, and on that count, we appear to have come up short.

Those who forget the past are doomed to blog about it

Cover of Time magazine: "Defending Defense: Budget Battles and Star Wars"

When I started this blog years ago, I made a private agreement with myself: I would avoid writing topical political content. Substack, social media, and the blogosphere is saturated with political commentary, providing lots of heat but little light. I don’t like trafficking in outrage, which is the fast-track to success in political blogging.

However, I did write a novel about missile defense set during the Reagan Era in a town hosting a nuclear weapons research laboratory. That’s pretty political, even if the politics are fairly retro.

Due to recent events in the Middle East, the topic of missile defense has come up again, primarily thanks to Noah Smith’s Noahpinions (via). Smith’s piece on recent successes in missile defense tickled a nerve in me, mostly because this is a topic I’ve followed off-and-on for forty years.

To clarify, while my book is tinged with autobiography (I did indeed grow up in Livermore during the Reagan Era while the Strategic Defense Initiative (SDI) was being developed), it’s also fiction (neither of my parents worked for Lawrence Livermore National Laboratory (LLNL), although almost all my friends’ fathers were scientists there).

This is why I reacted strongly to Noah Smith writing this:

…for most of my adult life, I believed that ballistic missile defense was a hopeless, failed cause. From the 2000s all the way through the 2010s, I read lots of op-eds about how kinetic interceptors — “hitting a bullet with a bullet” were just an unworkably difficult technology, and how the U.S. shouldn’t waste our time and money on developing this sort of system.

He quickly adds,

Even the most ardent supporters of missile defense don’t think it could stop a nuclear strike by Russia or China. … critics of missile defense were right that missile defense will probably not provide us with an invincible anti-nuclear umbrella anytime soon. But they were wrong about much else.

Fair enough—Smith is differentiating between defense technology for stopping short- and medium-range ballistic missiles armed with conventional explosives (such as the type used to protect Israel from Iran’s attack in April) versus technology for stopping long-range nuclear ICBMs, which was the problem SDI was supposed to solve. Over the last forty years critics of missile defense have muddied these categories, taking the problems of developing an ICBM defense system, which must deal with missiles launched into the upper atmosphere, and translating them to conventional missiles, which fly at altitudes similar to prop planes.

With this proviso out of the way, Smith goes on to argue that “the way in which critics got this issue wrong illustrates why it’s difficult to get good information about military technology — and therefore why it’s hard for the public to make smart, well-informed choices about defense spending.” He proceeds into the history of short- and medium-range missile defense and its uninformed and myopic critics. It’s a thoughtful piece, well-reasoned and well-researched.

What’s my beef, then? It’s his assertion that the critics getting their prognostications wrong make it “hard for the public to make smart, well-informed choices about defense spending.” I disagree.

What I saw during the SDI years, and continue to see in 2024, is a dearth of public involvement in defense spending or development. How can the American public make well-informed choices, given the lack of transparency in budgeting or the research process?

This is not a bleeding-heart appeal (such as the 1980s bumper stickers Smith references: “It will be a great day when our schools get all the money they need and the Air Force has to hold a bake sale to buy a bomber”). Simply put, the public is not informed on the decision-making process, has not been invited into the process, and is not wanted to be involved in the process.

The evidence for this is in the history of missile defense itself. Even with four decades of critics piling on against it (which Smith thoroughly tallies), the short- and medium-ranged missile defense technology they mocked was approved, funded, developed, honed, and deployed. As far as I can tell, no one was voted out of office for supporting missile defense. No referendum on their development or funding was held.

Smith theorizes that with missile defense,

the information about how good America’s weapons systems are gets kept behind closed doors, unveiled in secret Congressional briefings and whispered between defense contractors. Meanwhile, everyone who wants to criticize U.S. weapons systems is on the outside, squawking loudly to the press.

My skepticism originates from Smith’s belief that the problem is an “asymmetry” between the military, which is secretive “in order to avoid alerting America’s rivals to our true strength,” and mouthy critics of short- and mid-range missile defense, which have a poor track record for predicting its failure.

Now, Smith’s point is a defensible perspective. It’s equally defensible that the reason the military is so hush-hush about their research projects is to keep the American public in the dark. When defense budgeting is discussed publicly, it’s about funding for more bread-and-butter expenses, such as better meal rations and outfitting soldiers with body armor. Who’s going to argue with supporting our troops?

Strategic Defense Initiative logo
“A shield, not a sword.”

In the 1980s, the public was well aware of the SDI project. It was highly publicized. Reagan announced it on national evening television. What the public did not know was how the LLNL planned to stop those nuclear missiles from reaching American soil. One of the earliest approaches they explored was a theoretical X-ray laser fired from orbiting satellites at the incoming missiles.

(Defenders of ICBM missile defense point out that the X-ray laser was merely one of many approaches considered. That’s true, but it’s also true that it, and so many of the other technologies considered, were discarded as impractical, unworkable, or simply dangerous. The history of SDI and its offshoot Brilliant Pebbles goes into the many misses and problems.)

To return to the X-ray laser: How was it to be powered? The proposal was that each satellite would hold a thermonuclear device. To fire the laser, the internal device would detonate. The contained thermonuclear explosion would shed X-ray radiation, which was redirected toward the intended target.

It’s easy to satirize this proposal (which I certainly did) as though a plot point in a hypothetical Dr. Strangelove sequel. My point here isn’t to knock research that sounds ludicrous, or which didn’t pan out during development. The history of technology, science, and engineering is littered with wild ideas and failed approaches.

My point is: SDI was highly publicized, but the energy source of the X-ray laser wasn’t revealed until years later by a whistleblower. The public could not make an informed decision, because the most vital information about the project was being withheld. Was it withheld because the U.S. military didn’t want to tip its hand to its enemies? Or because the details would be tremendously embarrassing—H-bombs in space to defend America from H-bombs in the sky? I lean toward the latter explanation.

How many voters today are aware that anti-ICBM research is still ongoing in 2024? The SDI project was renamed multiple times over the decades, as a cynical way to sneak it through the budgeting process. It was never defunded, although, again, as Smith and others recognize, “even the most ardent supporters of missile defense don’t think it could stop a nuclear strike by Russia or China.”

Rather, I think the military learned a lesson from Reagan and SDI: Don’t tell the public about your darlings. From a perspective of secure funding, there’s more harm than good from having your pet research project on the cover of Time.

To be fair, Smith doesn’t advocate for giving the U.S. military carte blanche on spending and research: “There’s no easy solution here, other than simply being aware of these difficulties and trying very hard to counteract them. We pundits should talk to and listen to a variety of experts, not just the loudest and most confident.” I agree, although I think his advice should extend well beyond the sphere of the punditry.

Teller's War by William Broad

And Smith’s also right about the poor track records of critics of conventional missile defense. In the case of SDI, though, the polarity is reversed. Journalist William Broad’s first book on ICBM missile defense, Star Warriors, was a hagiography of SDI and the scientists at LLNL. From the tone and tenor of the 1985 book, a reader might think ICBM defense was simply a matter of getting the brightest and best minds together in a room with a whiteboard and a pot of hot coffee.

Broad’s later account, 1992’s Teller’s War, tells a very different story, revealing not only the research failures, but more critically the deceptions, exaggerations, and maneuverings used to sell the project to Reagan, Congress, and the American public. Broad barely references his earlier Star Warriors in the later book. In fact, reading between the lines of Teller’s War, its tone comes across a little like a scorned partner who realizes far too late that their spouse had baldly lied to them about an infidelity years earlier.


A postscript. When I wrote “the public is not informed on the decision-making process, has not been invited into the process, and is not wanted to be involved in the process,” that largely assumes the public wants to be informed about defense budgeting.

In an era of political gamesmanship, where “owning” the other political team is more than important than actual leadership and problem-solving, I’ve seen very little interest from the public in how our defense dollars are being spent. Perhaps the military doesn’t need to be secretive at all any more about its research projects.

Twenty Writers: Unstuck in Dresden

See the Introduction for more information on “Twenty Writers, Twenty Books.” The current list of reviews and essays is located at Continuing Series.


Slaughterhouse-Five by Kurt Vonnegut
Early one August morning in 2011, I set off for Dresden. I was lodging at a surprisingly spacious budget hotel located in what was once known as East Berlin. I showered, snagged a Brötchen from the breakfast table downstairs, and rode public transit to Berlin’s central train station, the Hauptbahnhof.

The Hauptbahnhof was a modest-sized transportation hub with a grand planar green-glass facade and crystal strands of staircases and escalators within. A number of national and international rail lines passed through the station on all levels.

In contrast to its modernity, the area surrounding the Hauptbahnhof appeared bombed-out. Weedy lots and half-built (or half-demolished) concrete structures of uncertain purpose surrounded the station, even though it was located in the dead center of town, and not the outskirts where this sort of thing might be excused.

In 2011, dereliction was not unusual in the eastern reaches of Berlin. The area that was once West Berlin was clean, modern, bustling—as sleek and efficient as the capitalism it had boasted of to its neighbors during the Cold War. What was once East Berlin was largely a patchwork of low-lying buildings, many redolent of America’s 1970s aesthetics bereft of its most garish extremes. Anything not man-made was lush and overgrown from the humid summer. (Berlin, my travel guide explained, was built on a swamp.) Buildings with blasted-out holes in the plaster stood here and there in East Berlin, the rubble having been hauled off but the damage not repaired. As I learned from the natives, Berlin was still recovering from forty years of Communist rule, where counterrevolutionary ideals like aesthetics and grounds-keeping were not prioritized.

Having visited Munich a few times, I would bet a stein of beer that the meticulous, efficient Bavarians would never have allowed for this situation to sustain. For any undeveloped lot, the Bavarians would have installed a beer garden or a park or some nice shopping. Munich is the neighbor who keeps their lawn trim and packs away the Christmas decorations on Boxing Day; Berlin is the family with the half-built additions and a porch painted a color intended for the whole house, but Dad never got around to finishing the job. It’s for those reasons I found what was once East Berlin relaxed and livable.

Having visited my favorite beer garden in all of Europe the night before, I didn’t wake quite early enough. I missed my train to Dresden by precious minutes, in part due to being lost in the Hauptbahnhof‘s Escher maze of escalators. Running up to the platform for Dresden, the train chugging eastward, I wondered if this was a bit of Vonnegutian fate, the kind of nondescript event that leads to major ramifications for the character later in the book.

Literary tourism

My visit to Dresden bore some emotional weight. It would probably be my only chance to see the city Kurt Vonnegut wrote about so prominently in Slaughterhouse-Five.

Literary tourism is a recurring compulsion in my life. I’ve sought out Hemingway’s Key West house and the six-toed cats who drink from an old bar urinal in the garden; Henry Miller’s ramshackle Big Sur cabin, surprisingly spartan for a hedonist; Beowulf under glass at the British Museum in London, a city practically designed for literary tourism, right down to the pub reproducing Sherlock Holmes’ parlor; even Mark Twain’s cabin in California’s Gold Country where he reportedly penned “The Celebrated Jumping Frog of Calaveras County”. Literary tourism has even made its way into some of my stories, in particular “A Concordance of One’s Life”, and to a lesser extent Everywhere Man.

With only one more free day in Germany, I woke the next morning even earlier and made it to the Hauptbahnhof with time to spare. As my train left the platform, I was treated to the very European experience of an Italian family arguing with the unflappable German conductor over seats, some business about assigned seating and Second Class. As English was the common language between the two parties, I was able to follow the argument. The conductor eventually conceded and moved on, leaving the Italian family to overtake the compartment. The mother pointed out to me that there wasn’t enough room for all of them, and so I moved to the next compartment.

The train ride from Berlin to Dresden took two and a half hours. If I’d traveled the day before, I had planned to find a cheap room to crash in for the night. Now I had to make the same return trip in the late afternoon via the last train out of Dresden to Berlin.

The Slaughterhouse-Five Tour

In a different book, Kurt Vonnegut wrote

Ah, God, what an ugly city Illium is!

“Ah, God,” says Bokonon, “what an ugly city every city is!”

I was curious to see what had sprung up in Dresden’s place after the end of the war, after the firebombing. I was also curious how Vonnegut’s book was now received by the city. I had it in my mind that Slaughterhouse-Five was a literary gift to the City of Dresden, a rather lengthy handbill proclaiming to a cold and unaware world the war crime they’d suffered. Much like my trip to Hiroshima, I wasn’t quite sure what to expect. Everything I’d read about both cities focused on one subject: utter destruction.

I wondered if there were Slaughterhouse-Five tours of Dresden. If I ran a Slaughterhouse-Five tour of Dresden, I would dress up like Billy Pilgrim and pretend to be unstuck in time. I would start the tour with this:

“And now our tour concludes. So it goes.”

And end the tour with this:

“Welcome! My name is Billy Pilgrim. Today I’m your guide for the Slaughterhouse-Five tour. On your left is our first sight…”

For all my planning back at home, it never occurred to me to attempt to locate the actual slaughterhouse Vonnegut and the other American POWs huddled in during the Allies’ firebombing of the city, safe while Dresden burned to nubs and ash. I assumed (wrongly, it turns out) that the slaughterhouse had been demolished after the war. I focused on the city center itself rather than striking out to the industrial areas in search of the structure that saved Vonnegut’s life and changed American postwar literature.

On the last leg of my train ride, two young women joined me in the compartment, college-aged summer hitchhikers making their way across Europe. They hauled mountaineering backpacks with sleeping rolls, enough gear to scale K2. Minutes before the Dresden station, we struck up a conversation. They were from Switzerland.

“I’m American,” I introduced myself.

“We know,” they told me. Whenever foreigners know my nationality it’s a little discomfiting, like meeting someone who can read my thoughts.

They told me they headed to Amsterdam. When they said “Amsterdam” they giggled between themselves.

“I’m going to Dresden,” I told them.

“Why?” they asked me, honestly perplexed.

Anatomy of a church

Dresden workers' muralOn my walk from Dresden’s station to its Old Town I passed a reminder of the city’s time under the German Democratic Republic. A broad mural spanned the second story of an otherwise unremarkable building. In the town I grew up, such a building would have been the advertising offices of the local newspaper or something equally mundane. This is what I expected to find in Dresden: postwar Socialist-drab architecture erected in a hurry and on the cheap.

The building was forgettable but the mural was not. Like so much social realism to come out of the Communist bloc, it features idealized caricatures of workers—women in head scarves, men in Trotsky hats—raising their sickles and rifles in a show of unity. The mural stood over a wide walkway, where it could be admired as easily as it could be ignored.

DresdenOnce past the mural and its uninspiring canvas, I discovered Dresden was not ugly. In fact, the city was charming. Although seventy years had passed since the firebombing, plenty of time to rebuild, I did not expect to walk into such a minute jewel. With East Berlin as my primer to post-Communist Germany, I presumed Dresden would be a place of unkempt parks, weedy lots, and an opera house or civic chamber destroyed by the Allies and left as rubble with a statue before it memorializing the carnage.

Strange then to see Dresden work so hard to appear as the city it was five hundred years ago, more medieval than mid-century. Its stout Old Town proudly exhibited a collection of limestone spires and copper-green cupolas. In the Middle Ages, labor was cheap, free when pressed into service by the Church. In the 20th century it wasn’t so cost-effective to refurnish a city to its fifteenth-century original without making do with mass-produced raw material—the financial temptation to erect a Disney reproduction of the original must have been great. There was nothing fake or inauthentic about Dresden’s Old Town as far as I could see.

Dresden churchThe rebuild was so complete, so meticulous, at first blush I wondered if anything remained to mark the firebombing that melted this city down to hot rubble in 1945. I found one, a block of permanently charred masonry standing in a cobblestone platz before a stunning Baroque church, Dresden’s Frauenkirche. A wordless plaque indicated where the block had fallen from the cupola above during the firebombing. In the human anatomy of the Frauenkirche, the masonry block fell from its heart.

(I know now that many memorials for the Dresden firebombing exist, some in the city and others elsewhere in Germany. Some only exist on the Internet as frameworks for remembering. I didn’t visit Dresden to search out statues and plaques and modern art commissioned by governmental panels, but I did expect to more of these markers than I encountered.)

Hundreds of miles from the Berlin swamp, Dresden offered a cloudless temperate day, the air off the river smelling fresh. The church platz was ringed by bistros lively with business. Vendor carts served cold beer as fast as mugs could be filled. Standing aside the masonry block and surveying the scene, I developed a theory: Dresden understood that remembering is different than never forgetting.

Of course

My own failings hampered my time in Dresden. I don’t speak a lick of German. Unlike Berlin, where an English-speaker can manage thanks to a mostly-multilingual population, few people in Dresden spoke my native tongue.

Rendered all but mute, I pointed to the beer tap when I wanted a beer, pointed to the menu when I wanted a brat, and did my best to pronounce Bitte? and Danke schoen for everyone I had dealings with.

At one of the beer carts off the church platz I met an English-speaking couple. Not only did they speak English, they were American. I did not ask the obvious questions. With a beer in hand and the sun on my back, I was incurious to know where they were from or who employed them.

She was talkative. He seemed totally uninterested in conversation. She asked why I came to Dresden.

Slaughterhouse-Five, of course,” I said. That “of course” made me out as a snoot.

She searched the air above her. “Is that a book?” She asked her husband if he’d read it. He murmured “Never heard of it” and drank more beer.

I told her she probably read it in high school. She couldn’t remember.

Fox tossing

When I asked why they’d visited Dresden, she explained it was a layover on their bus trip to Amsterdam. She giggled when she said “Amsterdam.” His attention never left his beer.

“Have you visited the castle?” she asked me. Their package tour included a ticket to Dresden Castle, now a museum. “Their king was the King of Poland. Twice.”

“Augustus the Strong,” her husband said, still not looking at me.

“Why was he called ‘the Strong?'” I asked.

“Because he was strong,” the husband said. “He could dead lift hundreds of pounds.” A bit excited, he finally turned on his stool to face me. “And he was a master at this game called fox tossing.”

“What’s fox tossing?”

“You throw foxes as high into the air as you can.” So animated, his beer was sloshing.

Dresden?

I trudged back to the train station passing the workers’ mural once more. Now I saw how out of place it was in Dresden, this relic of propaganda today apropos of nothing. Like Communism, it was not erased and it was not forgotten, nor was it intrusive or even damned, but simply left to be, a curiosity.

On the train ride back, I experienced a conversation I would have twice more in Berlin, all with Germans. When I mentioned visiting Dresden, the Germans’ response was always “Why?” They expressed in their best English that Dresden was a boring town with nothing to draw a tourist, especially one who’d traveled so far.

I asked each if they’d heard of Kurt Vonnegut or Slaughterhouse-Five. None of them knew of him, which wasn’t terribly surprising. I don’t read German novelists, after all. The name confused them, though, since Vonnegut is distinctly Germanic. I assured them he was American.

I told the Germans Vonnegut had written one of the greatest English-language novels of the past hundred years. “It’s about Dresden. He was there during the firebombing.”

Only one of the three knew of Dresden’s destruction. (They were younger than me, I should add.) All were bewildered at the idea of a novel about Dresden—”Dresden?“—especially a novel important enough to be taught in American schools and universities.

It floored them. “You’ve read a book about Dresden?

Imagine the situation reversed. Imagine learning that every student in Germany read a novel about one of Bokonon’s ugly cities: Illium, or Bakersfield, or Walla Walla, or Duluth. Imagine if Germans eagerly traveled to Duluth because it was featured in a popular novel. Duluth?

The second bewildered German I encountered—”Dresden?“—sat across from me. We were at a picnic table in my favorite beer garden in all of Europe. It was muggy in Berlin and nine o’clock at night, strings of light bulbs threaded through the tree branches. When I arrived at the Hauptbahnhof, I went straight to the beer garden.

We were joined by an American who’d emigrated to Germany to marry. He had a wife and a child, and had carved out a rather enviable life in what was once East Berlin. The first time we met he told me he never wanted to return to America.

“What are you two talking about?” He had brought us fresh mugs of beer.

“He went to Dresden today,” the German told him.

“Sure,” the newly-minted Berliner said as he distributed the beer. “Slaughterhouse-Five.”

Other books in the “Twenty Writers, Twenty Books” series.

Deutschland 83, SDI, and the birth of the modern era

Deutschland 83Tonight a new television series premieres on the Sundance Network, Deutschland 83. My cable package doesn’t include Sundance, so I won’t be able to watch the show in its first run, but so far I like what I’ve read about it. More than that, it’s exciting to read about its premise and development, as much of it reminds me of the impetuses that drove me to write Edward Teller Dreams of Barbecuing People.

The Cold War

Deutschland 83 and Edward Teller Dreams are both Cold War stories featuring individuals caught on the front line of a war that had no front lines. For Deutschland 83, the main character is Martin Rauch, an East German Stasi officer sent to West Germany under cover. For Edward Teller Dreams, teenager Gene Harland is the son of a nuclear physicist tasked to develop the Strategic Defense Initiative (SDI), a pie-in-the-sky system to deter nuclear attack immediately dubbed “Star Wars” by its critics.

It can’t be overstated how permanent the Cold War appeared in 1983. The idea that in six short years the Berlin Wall would fall, taking with it the Soviet Union and much of the Eastern Bloc, was so unthinkable it wasn’t even contemplated by science fiction or Hollywood. They preferred to traffic in darker visions of Soviet domination, films such as Red Dawn, the Russians’ technological superiority in The Hunt for Red October, and 1983’s nuclear-scare TV sensation The Day After. Even MTV got into the act: 1983’s pop hit “99 Luftballons” was about toy balloons starting World War III. Every Child of the 80s remembers Reagan and Chernenko boxing it out in Frankie Goes to Hollywood’s 1983 video for “Two Tribes”.

With each passing year of nuclear stalemate, the saber-rattling rhetoric, and the occasional act of aggression that had to be negotiated down, the Cold War increasingly looked like Orwell’s vision of perpetual war. Of course, that comparison suggests the Cold War was ginned up to control populations rather than being a legitimate stand-in for irreconcilable differences between nations. Personally, I think it was a bit of both.

The birth of the modern era

I was also surprised to read that Deutschland 83 is set in “1983, the birth of the modern era”. Although I chose 1983 for Edward Teller Dreams because it coordinated with the year SDI’s development started, in earlier revisions I dabbled with setting the novel later in time, in 1984 or even 1985. The more I researched 1983, I realized I had to set my novel in that year and none other. (I’ll discuss more about this in a future post.)

Retailing in 1983 for $9,995 ($24,000 in 2015 dollars), the Apple Lisa mysteriously failed to capture the public's imagination.

Retailing in 1983 for $9,995 ($24,000 in 2015 dollars), the Apple Lisa mysteriously failed to capture the public’s imagination.

The developments in 1983 belie the stereotype of the Reagan years as drab, conservative, and conformist. In hindsight, the 1980s were remarkably dynamic, with 1983 perhaps the most so. SDI, Apple’s Lisa (the first personal computer sold with a graphic display and a mouse), the first reports of the AIDS virus and the solidifying of the gay rights movement, even the birth of the Internet on January 1st (the story’s more complicated than that, but roll with it). 1983 was more than an eventful year, it was a prescient year.

(And it was a great time to be alive if you were a reader: The Mists of Avalon, The Robots of Dawn, John Le Carre’s Little Drummer Girl, and Walter Tevis’ The Queen’s Gambit were all published in 1983. The Color Purple was published the year before. William Gibson’s Neuromancer would be published in 1984, following six productive years of groundbreaking science fiction short stories.)

Even in the context of the Cold War, 1983 may have been more consequential than 1962, the year of the Cuban Missile Crisis. In March 1983, Reagan declared the Soviet Union to be an “evil empire” and authorized the development of SDI, “a shield, not a sword”. In August the Soviet Union shot down civilian jetliner Korean Air Flight 007 and ignited an international uproar. All of this, as well as forty years of East vs. West posturing, culminated in the Soviet Union almost launching all-out nuclear war in November when it misread an American troop exercise as first-strike preparations. This series of “isolated” events—microaggressions on the macro scale— were not easily contained via formal diplomatic channels. They were exactly the type of unchecked escalation feared the most during the Cold War.

Writing into near-history

Publishers ask you to list two or three genres to help categorize your novel. While every author feels their novel transcends such pedantic pigeonholing—only partial sarcasm there—I’ve usually selected “historical fiction” for Edward Teller Dreams. It’s a problematic label, however, and not because I’m being snooty.

Edward Teller Dreams of Barbecuing People by Jim NelsonThe term “historical fiction” evokes costume drama and so-called simpler times of clear-cut morality and rigid social standings. Most historical fiction book review web sites will only consider work that’s set at least fifty, seventy-five, even a hundred years in the past. Edward Teller Dreams is set thirty-two years ago (and was less than twenty years in the past when I first started writing it). Even with all I’ve described above, it’s hard to say the world has changed that much. I readily admit there’s more similarities between 1983 and 2015 than there are differences.

But even in writing this one novel I uncovered a number of obstacles with setting a story in near-history. I suspect the writers of Deutschland 83 faced them as well. Show creator Anna Winger says “The great privilege is it’s living history. People are still around and they want to talk about it.” I would say this privilege also nods towards its challenges.

In interviews with authors who pen historical fiction, there’s much discussion about research, authenticity, understanding the period, understanding moires and daily language, and so forth. Some historical fiction authors even go so far to dress in period clothing to better understand their subjects. Me? I threw on a T-shirt and a pair of corduroy jeans and—voila—welcome to exotic California, 1983.

But I’ll go to go out on a limb and say writing near-history is equally challenging to writing “real” historical fiction, and maybe more so. Ask someone what they think of the 1880s and you’ll receive silence, or maybe “I don’t know, why do you ask?” Ask someone what they think of the 1980s and you’ll get an earful. To retell near-history, you’re confronting people’s personal memories as well as the collective memory of our recorded culture.

I don’t think Edward Teller Dreams is a bold stab at righting some historical wrong, or a rewriting of the past to spotlight silenced voices. It doesn’t sound like Deutschland 83 is out to serve historical justice either. I do feel there are many stories of that era—of every era—that, if taken at face-value and told in good faith, will alter our understanding of history as well as our present. To retell stories from the 1880s is fine, but to retell the state of the world of the 1980s is to challenge our perception of the world today.

Quote

Up at The Tusk, “This Shit Ain’t Ever Going to Work”

Edward Teller Dreams of Barbecuing People-10_1410The Tusk has posted a new piece of mine about the tortured history of my new novel Edward Teller Dreams of Barbecuing People. A sample:

And how could I forget my friend’s father returning home one afternoon from work, tie loose and hair splayed, bedraggled from wrestling some top-secret problem? Most likely not a problem scientific in nature, but bureaucratic. Thirteen years of age or so, a computer geek-in-training (largely because I wanted to grow up and write video games, unaware that a prerequisite for writing video games is to have never grown up), I was fascinated with the engineering problems these nuclear scientists must have faced every day. Sitting cross-legged on the lime-green living room shag playing Axis & Allies (and losing badly), I asked how his latest project was proceeding.

He leaned down to my ear and whispered: “Jim, this shit ain’t ever going to work.” Then he went to the kitchen and cracked open a beer from the refrigerator. By “this shit” he meant the LLNL’s latest budget-busting project, the Strategic Defense Initiative, a la Star Wars, a system of laser-equipped satellites promised to protect our country from ICBM attack and end the Cold War. You know, that Cold War, the mad weapons race the laboratory at Livermore had enabled and fostered and contributed to over the prior thirty years.

Read the whole thing at The Tusk. And while you’re at it, read Nate Waggoner’s brilliant dissection of how authors’ are learning to burnish their own laurels in today’s world of social media and independent publishing, “On Self-Promotion”.