Kindle Unlimited Swap Meet

This month me and my fellow Kindle Press authors have organized a Kindle Unlimited Swap Meet. Over twenty authors, over twenty books, all free to read through the Kindle Unlimited program. If you’re not a Kindle Unlimited member, you can sign up for a month-long free trial and read as many books as you want. Even if you don’t want to give KU a go, many of the books in the Swap Meet are discounted this month.

Both Bridge Daughter and Edward Teller Dreams of Barbecuing People are represented in the Swap Meet. I’d also like to point out a couple of other books you might be interested in:

Making Arrangements by Ferris RobinsonAuthor Ferris Robinson and I went through the Kindle Scout program together and were accepted by Kindle Press at about the same time, so I feel a sense of camaraderie with her. Her book Making Arrangements is a wonderful slice-of-life novel filled with memorable characters and unexpected discoveries. I highly recommend it.

Son of Justice by Steven L. HawkAnother Swap Meet book to look out for is Steven L. Hawk’s Son of Justice, a rousing science fiction military adventure about family lines and choosing between the easy road and one less traveled. Hawk is the author of The Peace Warrior trilogy which has received high acclaim as well.

The above books are free to read through Kindle Unlimited, and there’s plenty of deals to be had as well, so check out all the books in the Swap Meet. Some are up to 70% off, and the novels range from fantasy to mystery to contemporary literature.

And be sure to enter the Swap Meet’s $100 Amazon gift card giveaway! You win by helping to spread the word about these great Kindle Unlimited books.

Edward Teller Dreams now on sale for 99¢ at Amazon

Edward Teller Dreams of Barbecuing People by Jim NelsonEdward Teller Dreams of Barbecuing People is now on sale at Amazon for $0.99.

My first published novel centers on Gene Harland, a seventeen year-old high school student growing up in Livermore, California during the Cold War. It’s a novel about Big Science and the nuclear arms race, as well as a story of love and regret.

The sale will be over soon, so if you’re interested in reading it, now’s the time!

Deutschland 83, SDI, and the birth of the modern era

Deutschland 83Tonight a new television series premieres on the Sundance Network, Deutschland 83. My cable package doesn’t include Sundance, so I won’t be able to watch the show in its first run, but so far I like what I’ve read about it. More than that, it’s exciting to read about its premise and development, as much of it reminds me of the impetuses that drove me to write Edward Teller Dreams of Barbecuing People.

The Cold War

Deutschland 83 and Edward Teller Dreams are both Cold War stories featuring individuals caught on the front line of a war that had no front lines. For Deutschland 83, the main character is Martin Rauch, an East German Stasi officer sent to West Germany under cover. For Edward Teller Dreams, teenager Gene Harland is the son of a nuclear physicist tasked to develop the Strategic Defense Initiative (SDI), a pie-in-the-sky system to deter nuclear attack that was immediately dubbed “Star Wars” by its critics.

It can’t be overstated how permanent the Cold War appeared in 1983. The idea that in six short years the Berlin Wall would fall, taking with it the Soviet Union and much of the Eastern Bloc, was so unthinkable it wasn’t even contemplated by science fiction or Hollywood. They preferred to traffic in darker visions of Soviet domination, such as Red Dawn, the Russians’ technological superiority in The Hunt for Red October, and 1983’s scare-TV sensation The Day After. Even MTV got into the act: 1983’s pop hit “99 Luftballons” was about a toy balloons starting World War III. Every Child of the 80s remembers Reagan and Chernenko boxing it out in Frankie Goes to Hollywood’s 1983 video for “Two Tribes”.

With each passing year of nuclear stalemate, the saber-rattling rhetoric, the occasional act of aggression that had to be negotiated down, the Cold War increasingly looked like Orwell’s vision of perpetual war. Of course, that comparison asks if the Cold War was ginned up to control populations or was a legitimate stand-in for irreconcilable differences between nations. Personally, I think it was a bit of both.

The birth of the modern era

I was also surprised to read that Deutschland 83 is set in “1983, the birth of the modern era”. Although I chose 1983 for Edward Teller Dreams because it coordinated with the year SDI’s development started, in earlier revisions I dabbled with setting the novel later in time, in 1984 or even 1985. The more I researched 1983, I realized I had to set my novel in that year and none other. (I’ll discuss more about this in a future post.)

Retailing in 1983 for $9,995 ($24,000 in 2015 dollars), the Apple Lisa mysteriously failed to capture the public's imagination.

Retailing in 1983 for $9,995 ($24,000 in 2015 dollars), the Apple Lisa mysteriously failed to capture the public’s imagination.

The developments in 1983 belie the stereotype of the Reagan years as drab, conservative, and conformist. In hindsight, the 1980s were remarkably dynamic, with 1983 perhaps the most so. SDI, Apple’s Lisa (the first personal computer sold with a graphic display and a mouse), the first reports of the AIDS virus and the solidifying of the gay rights movement, even the birth of the Internet on January 1st (the story’s more complicated than that, but roll with it). 1983 was more than an eventful year, it was a prescient year.

(And it was a great time to be alive if you were a reader: The Mists of Avalon, The Robots of Dawn, John Le Carre’s Little Drummer Girl, and Walter Tevis’ The Queen’s Gambit were all published in 1983. The Color Purple was published the year before. William Gibson’s Neuromancer would be published in 1984, following six productive years of groundbreaking science fiction short stories.)

Even in the context of the Cold War, 1983 may have been more consequential than 1962, the year of the Cuban Missile Crisis. In March 1983, Reagan declared the Soviet Union to be an “evil empire” and announced SDI, “a shield, not a sword”. In August the Soviet Union shot down civilian jetliner Korean Air Flight 007 and ignited an international uproar. All of this, as well as forty years of East vs. West posturing, culminated in the Soviet Union almost launching all-out nuclear war in November when it misread an American troop exercise as first-strike preparations. This series of “isolated” events—microaggressions on the macro scale— were not easily contained and soothed via formal diplomatic channels, the exact type of unchecked escalation feared the most during the Cold War.

Writing into near-history

When publishing an ebook on Amazon, Kobo, Barnes & Noble, or another distributor, the service asks you to list two or three genres to help categorize the work. While every author feels their novel transcends such pedantic pigeonholing—only partial sarcasm there—I’ve usually selected “historical fiction” for Edward Teller Dreams. It’s a problematic label, however, and not because I’m being snooty.

Edward Teller Dreams of Barbecuing People by Jim NelsonThe term “historical fiction” evokes costume drama and so-called simpler times of clear-cut morality and rigid social standings. Most historical fiction book review web sites will only consider work that’s set at least fifty, seventy-five, even a hundred years in the past. Edward Teller Dreams is set thirty-two years ago (and was less than twenty years in the past when I first started writing it). Even with all I’ve described above, it’s hard to say the world has changed that much. I easily admit there’s more similarities between 1983 and 2015 than there are differences.

But even in writing this one novel I uncovered a number of obstacles with setting a story in near-history, and I suspect the writers of Deutschland 83 faced them as well. Show creator Anna Winger says “The great privilege is it’s living history. People are still around and they want to talk about it.” I would say this privilege also nods towards its challenges.

In interviews with authors who pen historical fiction, there’s much discussion about research, authenticity, understanding the period, understanding moires and daily language, and so forth. Some historical fiction authors even go so far to dress in period clothing to better understand their subjects. Me? I threw on a T-shirt and a pair of corduroy jeans and—voila—welcome to exotic California, 1983.

But I’ll go to go out on a limb and say writing near-history is equally challenging to writing “real” historical fiction, and maybe more so. Ask someone what they think of the 1880s and you’ll receive silence, or maybe “I don’t know, why do you ask?” Ask someone what they think of the 1980s and you’ll get an earful. To retell near-history, you’re confronting people’s personal memories as well as the collective memory of our recorded culture.

I don’t think Edward Teller Dreams is a bold stab at righting some historical wrong, or rewriting the past in order to spotlight silenced voices. It doesn’t sound like Deutschland 83 is out to serve historical justice either. I do feel there are many stories of that era—of every era—that, if taken at face-value as told in good faith, will alter our understanding of history as well as our present. To retell stories from the 1880s is fine, but to retell the state of the world of the 1980s is to dispute our perception of the world today.

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Here, Esquilax! reviews Edward Teller Dreams

Edward Teller Dreams of Barbecuing People-10_1410Dustin Heron, author of Paradise Stories and a good friend of mine, posted a rather nice review of Edward Teller Dreams of Barbecuing People. An excerpt:

In one of the books funniest scenes, the two apathetic rebels stage a sit-in protest for the lack of school pride at their High School. But it’s not a throwaway scene: in this novel, every scene illuminates, tells a joke, develops characters, and moves the plot forward, and big changes for Gene and Gwen hinge on that protest and its repercussions. But the broader and more subtle work being done in that scene is what makes Nelson’s book so effective and moving: Gene and Gwen are children of Baby-Boomers who decades before put flowers in their hair and “changed the world” and continued to congratulate themselves for doing so and who all of a sudden became middle management protecting the status quo they now had a vested interest in.

Read the full review, and while you’re at it, check out Dustin’s entire web site, which features stories, essays, improvisations, and more.

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A new cover for Edward Teller Dreams of Barbecuing People

Edward Teller Dreams of Barbecuing People by Jim Nelson

Click for larger image

After a lot of scratching around in the dirt and a couple of heart-to-hearts with myself, I made the decision to ditch the old cover for Edward Teller Dreams of Barbecuing People. That cover attempted to capture the aesthetic of a classic Pee-Chee All-Season Portfolio that’s been doodled up with pencil and ink over the span of a school year. As much as I liked the concept, my artistic skills were simply not up to snuff for the challenge. I was never really satisfied with the final product.

The good news is, I’ve returned to the drawing board and come up with a cover I’m much happier with. The image to the above left is the result of that labor. I’m updating the ebooks on my various distribution channels as we speak. This is one of the great things about ebooks: if you don’t like the cover, you just change it. (For comparison, you can see the old cover in my original release announcement.)

Speaking of Pee-Chee, check out this great Flickr collection of folders marked-up and mutilated decades ago by school kids who were not altogether dissimilar to Gene Harland, the narrator of Edward Teller Dreams. My favorite in the collection? This one referencing Berkeley’s own The Uptones and featuring a ska sprinter taking the lead on the outside. In the 80s, you lived and died by a white pressed shirt and a skinny tie.

Junior High Pee-Chee - Front

Ring in the New Year: FREE ebooks on Kobo and Apple iBooks

A Concordance of One's Life by Jim NelsonFor the next month (or so), my short story collection A Concordance of One’s Life and novella Everywhere Man will be available to download for FREE on Kobo and Apple’s iBooks. That’s right, free, as in no money. Get ’em now:

A Concordance of One’s Life: Kobo / iBooks
Everywhere Man: Kobo / iBooks

Edward Teller Dreams of Barbecuing People by Jim Nelson
While you’re at it, be sure to download my latest novel Edward Teller Dreams of Barbecuing People. It’s not quite free but available for the cut-rate bargain of 99 cents on Kobo, iBooks, and Amazon.

(Why aren’t those first two books free on Amazon? Amazon won’t allow me to price my ebooks for anything less than $0.99 without entering into an exclusive arrangement with them, which I won’t do.)

Happy New Year!

UPDATE: I’ve extended the free book giveaway through February. They’re also now available for free on Smashwords (Concordance, Everywhere Man). Grab ’em up, folks.

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Up at The Tusk, “This Shit Ain’t Ever Going to Work”

Edward Teller Dreams of Barbecuing People-10_1410The Tusk has posted a new piece of mine about the tortured history of my new novel Edward Teller Dreams of Barbecuing People. A sample:

And how could I forget my friend’s father returning home one afternoon from work, tie loose and hair splayed, bedraggled from wrestling some top-secret problem? Most likely not a problem scientific in nature, but bureaucratic. Thirteen years of age or so, a computer geek-in-training (largely because I wanted to grow up and write video games, unaware that a prerequisite for writing video games is to have never grown up), I was fascinated with the engineering problems these nuclear scientists must have faced every day. Sitting cross-legged on the lime-green living room shag playing Axis & Allies (and losing badly), I asked how his latest project was proceeding.

He leaned down to my ear and whispered: “Jim, this shit ain’t ever going to work.” Then he went to the kitchen and cracked open a beer from the refrigerator. By “this shit” he meant the LLNL’s latest budget-busting project, the Strategic Defense Initiative, a la Star Wars, a system of laser-equipped satellites promised to protect our country from ICBM attack and end the Cold War. You know, that Cold War, the mad weapons race the laboratory at Livermore had enabled and fostered and contributed to over the prior thirty years.

Read the whole thing at The Tusk. And while you’re at it, read Nate Waggoner’s brilliant dissection of how authors’ are learning to burnish their own laurels in today’s world of social media and independent publishing, “On Self-Promotion”.